"It did not sound like a rock band with a tacked-on orchestra, with the two were well integrated with some attractive scoring, including two arrangements by Peter Sculthorpe." GRAHAM McDONALD reviews the Whitlams in concert with the CSO.
LEN POWER reviews Radiant Dawn: From Lamentation to Light, a performance by Coro choral ensemble.
"This was a classy, well-paced, high-energy show highlighted by outstanding dancing from a young, multi-talented cast." IAN McLEAN reviews Footloose.
MICHAEL WILSON reviews a performance of Beethoven's Fourth by the Australian Haydn Ensemble.
"The ghost of Beethoven would have thoroughly enjoyed the evening." THAYER PREECE reviews Musica Viva's touring program involving three most celebrated Australian classical musicians.
BRIAN ROPE reviews the latest collection of artworks by the 2024 Canberra City News Artist of the Year, Hilary Wardhaugh, in a joint photography exhibition with David Manley in Belconnen.
CON BOEKEL reviews two portrait photography exhibitions Nanuma by Karlina Mitchell and Deadpan Artefacts by Melita Dahl.
MEREDITH HINCHLIFFE reviews Extra Padding, a collaborative exhibition of quilted works by eleven artists at Platform, Manuka.
SAMARA PURNELL reviews the dance film Pointe: Dancing on a Knife’s Edge, which features dancer Floeur Alder.
" This was an adventurous program from The Llewellyn Choir of two modern Easter masses mixed in with a couple of shorter choral works and two instrumental breaks from a string ensemble," writes reviewer GRAHAM McDONALD.
"Mandela Mathia is a charismatic young man with a fascinating story to tell. His show gives him the opportunity to tell his personal story as well as showcase his skills as an actor and singer," writes reviewer LEN POWER.
"Djilba was created by Floeur Alder in the months following the death of her father, Canberran Alan Alder, as a means of grieving, healing and of celebration," writes dance reviewer SAMARA PURNELL.
Rob Kennedy reviews Luminescence and the Machine, developed in collaboration with Grammy Award winners William Brittelle and Cameron Beauchamp, at The Street Theatre.
The extraordinary fascination with all things Jane Austen continues unabated, writes book reviewer ANNA CREER.
"This was a very cleverly conceived and realised Anzac Day concert. The singing was excellent and the readings from Ada’s letters were moving and an ongoing reminder of the horrors of that time," writes music reviewer GRAHAM McDONALD.
"Jordan Best shines in the role of the villain, sauntering across the stage; gleeful at the chaos of her plans unfolding and utterly disdainful of weakness." GRACE CASSIDY reviews Canberra Rep's new production of Les Liaisons Dangereuses.
MEREDITH HINCHLIFFE reviews an exhibition of woven geomorphic formations by Jennifer Robertson.
"Ida Pelliccioli's style is friendly and engaging rather than authoritative and grand. But she showed she is a rare master of the keyboard," writes music reviewer MICHAEL WILSON.
"It was disappointing that Aimee Brown’s performance was not made more visible." MICHELLE POTTER reviews the dance element of Salut! Baroque's Invitation to Dance concert.
