Arthur and Lucas Jussen proved why they are in demand around the world with an almost perfect program showcasing works for four hands on one piano, reviews DAVID WHITBREAD.
Review
SAMARA PURNELL reviews the local reboot of Australian playwright Joanna Murray-Smith's "Bombshells" by director Jordan Best’s production.
BILL STEPHENS reviews director Bradley McDowell and Canberra Philharmonic Society's newest iteration of the high popular 'Grease', turning it into a high-energy dance extravaganza, thereby avoiding some of the darker aspects of the script.
Zoltán Szabo, cello, and Nicholas Kennedy, piano, presented a recital featuring rare instruments from the ANU Historical Keyboard Collection, an opportunity "not to be missed", reviews LEN POWER.
An impressive exhibition showing 18 of Australia's leading artists, 6 of whom are 'emerging', the 2026 Fuse Glass Prize is on at the ANU School of Art & Design, reviews MEREDITH HINCHLIFFE.
BRIAN ROPE reviews the 20th and final National Photographic Portrait Prize with the gallery showing works by 30 selected finalists.
The Apeiron Baroque concert at the Wesley Uniting Church was a trip down the back streets and byways of early music, reviews GRAHAM McDONALD.
BILL STEPHENS reviews "La Stupenda: A Joan Sutherland Celebration" by Opera Australia at the Sydney Opera House even as "natural successor" Jessica Pratt paid homage to one of opera's greatest voices, Dame Joan Sutherland.
Saplings is a "gentle youth theatre piece that probes the experiences of a group of young indigenous people struggling with an urban society that doesn’t seem to give them much", reviews ALANNA MACLEAN.
IAN McLEAN reviews the clever, witty and fast-paced musical theatre production - I Love You, You're Perfect, Now Change - takes its audience on a "fabulously entertaining rollercoaster of emotions with belly laughs aplenty".
ANNA CREER reviews Booker Prize winner Douglas Stuart's new novel, which is set in the lonely remoteness of Scotland's Outer Hebrides.
MEREDITH HINCHLIFFE reviews craft exhibition at Cowra Regional Art Gallery curated by Peter Haynes and displaying works of the innovative Canberra textile artist Keiko Amenomori-Schmeisser who passed away earlier this year.
