The return of Bach Akademie Australia to Canberra since their memorable presentation at the Canberra International Music Festival in 2024 was an "entertaining dash of theatricality", reviews GRAHAM McDONALD.
LEN POWER reviews pianist Edward Neeman's Lunchtime Faculty Recital that was "a bit of everything - melody, drama, emotion and a hint of greatness".
The Drover's Wife, the first First Nations opera to be staged at the Sydney Opera House, was "like nothing else", reviews arts editor HELEN MUSA.
MEREDITH HINCHLIFFE reviews ANU School of Art in Ceramics graduate Sarit Cohen's latest exhibition, Vessels of Dialogue.
DAVID WHITBREAD reviews soloist Claire Edwardes's Dual Attractor Album Launch Tour performance where she mesmerised her audience for 70 minutes by creating "an almost spiritual atmosphere" from her five octave marimba.
ALANNA MACLEAN reviews the nearly three hours long epic, The Jungle and the Sea. Directed by S Shakthidharan and Eamon Flack, the play offers a "deeply felt treatment" of the civil war in Sri Lanka.
MICHELLE POTTER reviews Liz Lea and her colleagues's "distinctively varied' performance in Diamond, the second part of a projected dance trilogy at The Q Theatre.
NICK HORN reviews Channels, a "perfectly balanced presentation of documentary film and music", celebrating the life, practice and philosophy of artists actively engaged with the creative process late in life, by Liam Creswick and team.
Two ultimately feel-good novels from Matt Haig and Jessy Wu comprise COLIN STEELE's latest book reviews.
Rachel Wagstaff and Duncan Abel's adaptation and Chris Baldock's direction of the psychological thriller 'The Girl On The Train' leaves the audience with "an uncomfortable feeling", reviews LEN POWER.
In their first Australian visit and a Canberra debut at Snow Concert Hall, the storied Sitkovesky Trio delivered the Beethoven Piano Trio in D with "expression and panache", reviews SARAH BYRNE.
DAVID WHITBREAD reviews soprano Sonia Anfiloff and pianist Alan Hicks's "delightful" performance 'Eternity' for Art Song Canberra.
ROB KENNEDY reviews Woodsong, a performance by Robyn Mellor and Rodney Waterman highlighting the musical artistry of recorder music over 500 years.
"There’s a few modernising tweaks to the language but those of us mouthing along with the dialogue weren’t worried by that, so good is the energy and the fun." ALANNA MACLEAN reviews Izzard: The Tragedy of Hamlet.
LEN POWER reviews a captivating Australian Haydn Ensemble concert celebrating Bohemian composers whose music deserves far wider recognition.
MEREDITH HINCHLIFFE reviews internationally recognised multi-disciplined artist Tamara Henderson's "multi-faceted and large exhibition" with glass as a central material.
LEN POWER reviews Guerrieri et Amorosi, a performance by Oriana Chorale and Apeiron Baroque.
"This Tennessee Williams play about a simple moment that might be in anyone’s memory delved deeply into complex relationships that, with a little imagination, might well still be relevant today," writes JOE WOODWARD.
Mettle was an hour of almost continuous movement from every dancer. They attacked the choreography, with its spectacular twists and turns, with determination and skill," writes reviewer MICHELLE POTTER.
