MEREDITH HINCHLIFFE reviews craft exhibition at Cowra Regional Art Gallery curated by Peter Haynes and displaying works of the innovative Canberra textile artist Keiko Amenomori-Schmeisser who passed away earlier this year.
MEREDITH HINCHLIFFE reviews ANU School of Art in Ceramics graduate Sarit Cohen's latest exhibition, Vessels of Dialogue.
Two prominent First Nations fashion designers are heading out of Canberra later this week to Darwin to participate in the national showcase Country to Couture.
MEREDITH HINCHLIFFE reviews internationally recognised multi-disciplined artist Tamara Henderson's "multi-faceted and large exhibition" with glass as a central material.
Monuments for Fishes floats on the water and reaches 23 metres into the air. It's a feat of public art, and engineering.
Based at Canberra Glassworks and her own studio in Burra, NSW, Annette Blair - one of Australia's leading glass artists - has won the 2026 FUSE Glass Prize, Australasia's richest award for contemporary glass, writes arts editor HELEN MUSA.
KERRY-ANNE COUSINS reviews contrasting ceramic works (Un)-Common Ground by Paul Davis and Jacqueline Clayton, the two 2026 artists-in-residence at Canberra Potters.
MEREDITH HINCHLIFFE reviews four exhibitions at Craft + Design Canberra.
MEREDITH HINCHLIFFE reviews Staunch, an exhibition by a collective of Blak artists.
MEREDITH HINCHLIFFE reviews Extra Padding, a collaborative exhibition of quilted works by eleven artists at Platform, Manuka.
MEREDITH HINCHLIFFE reviews an exhibition of woven geomorphic formations by Jennifer Robertson.
Civic will come alive this Sunday as members of Canberra Quilters transform City Walk into a moving celebration of colour, craft and community.
MEREDITH HINCHLIFFE reviews end to end – Collected Works: from the Australian Pottery Collection, Bemboka, which is showing at the Watson Arts Centre.
MEREDITH HINCHLIFFE reviews end to end, an exhibition of the craft of Louis Grant, curated by Consuelo Cavaniglia.
MEREDITH HINCHLIFFE reviews Body Adorned, an exhibition jewellery and adornments from the National Gallery's own collection.
MEREDITH HINCHLIFFE reviews a travelling exhibition from Adelaide's JamFactory by metalsmithing artist Julie Blyfield titled Chasing a Passion.
MEREDITH HINCHLIFFE reviews Bridges, a glass exhibition.
MEREDITH HINCHLIFFE reviews the 2025 Craft + Design Canberra Annual Members Exhibition.
MEREDITH HINCHLIFFE reviews The Poetry of Things, an exhibition by glass artists Annette Blair & Kirstie Rea.
