At 23m high, how does this floating artwork stand up?
Monuments for Fishes floats on the water and reaches 23 metres into the air. It's a feat of public art, and engineering.
Craft
Based at Canberra Glassworks and her own studio in Burra, NSW, Annette Blair - one of Australia's leading glass artists - has won the 2026 FUSE Glass Prize, Australasia's richest award for contemporary glass, writes arts editor HELEN MUSA.
KERRY-ANNE COUSINS reviews contrasting ceramic works (Un)-Common Ground by Paul Davis and Jacqueline Clayton, the two 2026 artists-in-residence at Canberra Potters.
MEREDITH HINCHLIFFE reviews four exhibitions at Craft + Design Canberra.
Craft
Exhibition asks: ‘What do you think resistance looks like?’
MEREDITH HINCHLIFFE reviews Staunch, an exhibition by a collective of Blak artists.
Craft
Intriguing textile show redefines quilt
MEREDITH HINCHLIFFE reviews Extra Padding, a collaborative exhibition of quilted works by eleven artists at Platform, Manuka.
Craft
Demanding woven exhibition worth a look
MEREDITH HINCHLIFFE reviews an exhibition of woven geomorphic formations by Jennifer Robertson.
Civic will come alive this Sunday as members of Canberra Quilters transform City Walk into a moving celebration of colour, craft and community.
MEREDITH HINCHLIFFE reviews end to end – Collected Works: from the Australian Pottery Collection, Bemboka, which is showing at the Watson Arts Centre.
MEREDITH HINCHLIFFE reviews end to end, an exhibition of the craft of Louis Grant, curated by Consuelo Cavaniglia.
MEREDITH HINCHLIFFE reviews Body Adorned, an exhibition jewellery and adornments from the National Gallery's own collection.
MEREDITH HINCHLIFFE reviews a travelling exhibition from Adelaide's JamFactory by metalsmithing artist Julie Blyfield titled Chasing a Passion.
MEREDITH HINCHLIFFE reviews Bridges, a glass exhibition.
MEREDITH HINCHLIFFE reviews the 2025 Craft + Design Canberra Annual Members Exhibition.
MEREDITH HINCHLIFFE reviews The Poetry of Things, an exhibition by glass artists Annette Blair & Kirstie Rea.
MEREDITH HINCHLIFFE reviews Skin Deep, an exhibition by glass artist. Gabriella Bisetto.
MEREDITH HINCHLIFFE reviews Beautiful Tensions: Gray Street Workshop celebrates 40 years.
MEREDITH HINCHLIFFE reviews craft in situ at a display village.
"This exhibition is full of life: several of the larger animals have smaller animals on their backs. They all appear to be happy and enjoying their time on exhibit." MEREDITH HINCHLIFFE reviews the work of ceramicist Masaru Nishikawa.
