Exhibition asks: ‘What do you think resistance looks like?’
MEREDITH HINCHLIFFE reviews Staunch, an exhibition by a collective of Blak artists.
Craft
MEREDITH HINCHLIFFE reviews Extra Padding, a collaborative exhibition of quilted works by eleven artists at Platform, Manuka.
MEREDITH HINCHLIFFE reviews an exhibition of woven geomorphic formations by Jennifer Robertson.
Civic will come alive this Sunday as members of Canberra Quilters transform City Walk into a moving celebration of colour, craft and community.
Craft
Terrific chance to see top pottery from the ’90s
MEREDITH HINCHLIFFE reviews end to end – Collected Works: from the Australian Pottery Collection, Bemboka, which is showing at the Watson Arts Centre.
Craft
The sculptural and materials side of Louis Grant
MEREDITH HINCHLIFFE reviews end to end, an exhibition of the craft of Louis Grant, curated by Consuelo Cavaniglia.
Craft
Gallery steps out with a show of adornments
MEREDITH HINCHLIFFE reviews Body Adorned, an exhibition jewellery and adornments from the National Gallery's own collection.
MEREDITH HINCHLIFFE reviews a travelling exhibition from Adelaide's JamFactory by metalsmithing artist Julie Blyfield titled Chasing a Passion.
MEREDITH HINCHLIFFE reviews Bridges, a glass exhibition.
MEREDITH HINCHLIFFE reviews the 2025 Craft + Design Canberra Annual Members Exhibition.
MEREDITH HINCHLIFFE reviews The Poetry of Things, an exhibition by glass artists Annette Blair & Kirstie Rea.
MEREDITH HINCHLIFFE reviews Skin Deep, an exhibition by glass artist. Gabriella Bisetto.
MEREDITH HINCHLIFFE reviews Beautiful Tensions: Gray Street Workshop celebrates 40 years.
MEREDITH HINCHLIFFE reviews craft in situ at a display village.
"This exhibition is full of life: several of the larger animals have smaller animals on their backs. They all appear to be happy and enjoying their time on exhibit." MEREDITH HINCHLIFFE reviews the work of ceramicist Masaru Nishikawa.
MEREDITH HINCHLIFFE reviews two installations of glass objects by the artist NOT created in Murano, Italy – the island famous for its long tradition of glass-making.
"This is an exciting exhibition – many works which are serious, and also many that are just plain fun." MEREDITH HINCHLIFFE reviews the Strathnairn Arts Small Sculpture Prize 2025.
Veteran ceramic artist Cathy Franzi, known for depicting Canberra region flora in her works, won the $10,000 Lanyon Art Prize for her assemblage of nine porcelain vessels titled Fire Open Grassland 2025, reports HELEN MUSA.
"This exhibition is a reminder that our search for more environmental and sustainable sources of energy will inevitably cause consequences for some of the surrounding communities." MEREDITH HINCHLIFFE reviews Fulcrum, by Aidan Hartshorn.
