"The eclectic works and the varied musical voices made for a captivating concert." ROB KENNEDY reviews The False Prophet, a performance by BlockSounds.
Review
LEN POWER reviews Under The Greenwood Tree, a performance by the ANU Choral Society.
"What was remarkable was the orchestra's coherence and balance. Every section was just the right volume alongside the others and it made for a delightfully integrated sound." GRAHAM McDONALD reviews the final CSO performance for the year.
Book reviewer ANNA CREER looks at three new titles by crime writers at the top…
"It was clear that Apeiron founders John Ma, on violins, and Maria Searles, harpsichord, were having immense fun with this music." MICHAEL WILSON reviews Little Sounds Great Noises, a performance by Apeiron Baroque.
"If this is what Musica da Camera can do with a reduced ensemble, they should be truly impressive when at full strength," writes music reviewer SARAH BYRNE.
BILL STEPHENS reviews 9 to 5: The Musical.
"After 13 years, the Australian Haydn Ensemble is still pushing at the boundaries and opening our ears to new and surprising sounds," writes reviewer NICK HORN.
MEREDITH HINCHLIFFE reviews Beautiful Tensions: Gray Street Workshop celebrates 40 years.
GRAHAM MCDONALD reviews Rhythm and Rites, a performance by four "very fine" percussionists from the Canberra Symphony Orchestra.
"Cassandra Dove’s latest exhibition, called Behind the View, is inspired by landscape, in particular the landscape around Canberra and the surrounding region," writes reviewer KERRY-ANNE COUSINS.
MICHELLE POTTER reviews ECDysis, a dance performance by Elizabeth Cameron Dalman and friends.
