Lose to Win, coming to The Q on Saturday, follows the story of actor Mandela Mathia, from a war-torn South Sudan to Egypt, and then to Australia as a refugee, reports arts editor HELEN MUSA.
Helen Musa
“CityNews” arts editor
The name Australian Dance Party has a cheeky political edge, fitting for a professional contemporary dance company based in Canberra. Ten years on, founding director Alison Plevey tells HELEN MUSA how that identity came to be.
There’s something different happening at Canberra Museum and Gallery, where the usual “look but don’t touch” rule for adults in galleries has been turned on its head with Hop In! An Immersive World of Play.
Here's HELEN MUSA's latest Arts in the City column, leading with news about The Whitlams.
Canberra theatre figure Marya Glyn-Daniel, a multi-talented author, costume designer, playwright and producer has died. She was 85.
"It’s refreshing to see an exhibition of such unique artistic depth today, when so much of the contemporary art world is full of academic stuff that holds minimal appeal outside its context." ROB KENNEDY reviews Art Rocks by David Jensz.
The memorial service for Kate McNamara, one of Canberra’s most colourful and individualistic arts personalities, will be held at The Street Theatre on May 16.
“Sexy-disturbing” is how director Lainie Hart describes Les Liaisons Dangereuses, Christopher Hampton’s adaptation of Pierre Choderlos de Laclos’ 1782 novel, coming up at Canberra Rep Theatre.
Here's the latest Artsweek column by HELEN MUSA with her weekly serve of everything arts around the city.
With Anzac Day approaching, Polifemy is embarking on something it has never done before, blending slideshow, spoken word and music into its usual performance format, reports HELEN MUSA.
HELEN MUSA reviews Easter Oratorio, a performance by the Canberra Bach Ensemble.
Here's HELEN MUSA's latest Arts in the City column.
