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One of Canberra's busiest young theatre directors, Lachlan Houen, is leaving the capital for Melbourne after several years in which he has become a familiar figure both onstage and behind the scenes.
The revival of Graeme Murphy’s exquisite staging of Franz Lehár’s 120-year-old operetta, The Merry Widow, at the Sydney Opera House powerfully demonstrates why it was destined to become an audience favourite, reviews BILL STEPHENS.
Here's arts editor HELEN MUSA's latest Arts in the City column.
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