"Karen Vickery’s translation of Anton Chekhov’s The Seagull makes for a highly relatable and accessible text heightened by strong and, at times, very powerful performances from the cast," writes reviewer JOE WOODWARD.
Review
LEN POWER reviews Romantic Masters, a performance by tenor Andrew Goodwin and pianist Roland Peelman.
LEN POWER reviews Heroic Masterworks performed by pianist Edward Neeman.
ROB KENNEDY reviews Son et Lumière by Musica da Camera at the Australian Centre for Christianity and Culture.
KERRY-ANNE COUSINS reviews South Facing, an exhibition by Holly Grace and Julie Bradley at Craft + Design Canberra.
MEREDITH HINCHLIFFE reviews a large exhibition of ceramics by Moraig McKenna at the Canberra Potters Gallery.
ANNA CREER reviews a couple of Australian crime fiction books – one set in regional Victoria, the other – a grittier read – on the Gold Coast.
Folk culture was alive and well at EPIC, where an estimated 40,000 people gathered for the National Folk Festival, writes reviewer CASSIDY RICHENS.
MICHELLE POTTER reviews the Catapult Dance Choreographic Hub's performance of Awkward.
"No histrionics. Just brilliant pianism leaving no doubt that this is a fabulously talented young musician, who, if fate favours him, is destined for a brilliant career." BILL STEPHENS reviews Reuben Tsang.
"The whole orchestra was visibly engaged and responsive under Louis Sharpe’s baton," says DANTE COSTA in his review of the National Capital Orchestra.
LEN POWER reviews the Canberra Choral Society performance of The Faithful Shepherd: Music For Easter.
