CON BOEKEL reviews the work of Cailyn Forrest in VIEW2025, from which PhotoAccess launches its exhibition year.
Review
"I don’t think I’ve ever sat amongst an audience so spellbound and focused, nor left a concert hall with such a profound feeling of relaxation." SARAH BYRNE reviews Musica Viva's The Cage Project.
LEN POWER reviews Salut! Baroque's first concert for this, its 30th year.
MEREDITH HINCHLIFFE reviews Endless Horizons: The Art of Hiroe Swen at the Canberra Potters Gallery.
ALANNA MACLEAN reviews Mojo, Jez Butterworth’s 1995 play set in the sleazy shallows of the 1950s British music scene.
Book reviewer ANNA CREER shares her novel of the year plus four others that stand out from the pack.
Book reviewer COLIN STEELE wraps up a year of wide reading to settle on five of his favourites.
Reviewer CON BOEKEL is intrigued by elements of the human condition on display at the PhotoAccess Concept to Publication exhibition.
GRAHAM McDONALD reviews I Sing the Birth, a performance by the Luminescence Chamber Singers and Luminescence Children's Choir at Wesley Uniting Church.
SAMARA PURNELL reviews the Emerging Choreographers Program, by QL2 Dance, saying: "The experience of adapting a studio practice to a theatre... gives these young artists the chance to expose their vulnerabilities and receive feedback."
"This delightful production was enjoyed by all ages, who came dressed in ballet-inspired outfits, ready to bask in nostalgia and introduce the next generation to the magic that is The Nutcracker" writes reviewer SAMARA PURNELL.
Reviewer LEN POWER revels in Christmas music sung by Luminescence Chamber Singers and Children’s Choir.
