NICK HORN reviews Channels, a "perfectly balanced presentation of documentary film and music", celebrating the life, practice and philosophy of artists actively engaged with the creative process late in life, by Liam Creswick and team.
Review
Two ultimately feel-good novels from Matt Haig and Jessy Wu comprise COLIN STEELE's latest book reviews.
Rachel Wagstaff and Duncan Abel's adaptation and Chris Baldock's direction of the psychological thriller 'The Girl On The Train' leaves the audience with "an uncomfortable feeling", reviews LEN POWER.
In their first Australian visit and a Canberra debut at Snow Concert Hall, the storied Sitkovesky Trio delivered the Beethoven Piano Trio in D with "expression and panache", reviews SARAH BYRNE.
DAVID WHITBREAD reviews soprano Sonia Anfiloff and pianist Alan Hicks's "delightful" performance 'Eternity' for Art Song Canberra.
ROB KENNEDY reviews Woodsong, a performance by Robyn Mellor and Rodney Waterman highlighting the musical artistry of recorder music over 500 years.
"There’s a few modernising tweaks to the language but those of us mouthing along with the dialogue weren’t worried by that, so good is the energy and the fun." ALANNA MACLEAN reviews Izzard: The Tragedy of Hamlet.
LEN POWER reviews a captivating Australian Haydn Ensemble concert celebrating Bohemian composers whose music deserves far wider recognition.
MEREDITH HINCHLIFFE reviews internationally recognised multi-disciplined artist Tamara Henderson's "multi-faceted and large exhibition" with glass as a central material.
LEN POWER reviews Guerrieri et Amorosi, a performance by Oriana Chorale and Apeiron Baroque.
"Because it’s devised as a radio broadcast, the actors’ voices are the most important aspect of their performances." LEN POWER reviews The Wind In The Willows, adapted as a live radio play.
"This Tennessee Williams play about a simple moment that might be in anyone’s memory delved deeply into complex relationships that, with a little imagination, might well still be relevant today," writes JOE WOODWARD.
