There may have been a storm raging outside, but the calming Limestone Consort program of secular works by Nicolas Bernier and André Campra proved to be the perfect way to spend a rainy afternoon, reviews LEN POWER.
When an artist with such an international reputation presents a solo recital, expectations are high. And Daniel Röhn exceeds them splendidly, reviews DAVID WHITBREAD.
"It was song after song in a generous program of 28 classics, interrupted only by an interval or an interesting tidbit about a song or Rat Pack member." BILL STEPHENS reviews the Blamey Street Big Band.
"There was much colour and sunshine in this spring concert. If Wattle keep playing at this standard, they will go far." That's the prediction of music reviewer ROB KENNEDY.
"The cast are working hard but you sense they’re enjoying it all as much as the audience. They even have an elephant!' LEN POWER reviews an adaptation of Around the World in Eighty Days.
"The major work of the exhibition is a massive six-metre wide and 1.5-metre deep screen print in 36 joined frames. Titled Spider Warrior, Girl Protector, Infinite Internet, it takes your breath away." writes reviewer DAVID WHITBREAD.
The promise of an afternoon of authentic French cabaret drew an appreciative audience of Francophiles to The Street Theatre only to be transported to the boulevards of Paris, reviews BILL STEPHENS.
Oriana Chorale's beautifully controlled voices, intricate harmonies and immersive soundscapes brought the magic of the aurora to life under Dan Walker, reviews DAVID WHITBREAD.
"Mountain is timeless, cyclical and ancient... A remnant of all that has been, where the symmetry of nature meets the ethereal and each element of dance, music and costume perfectly combine.," writes reviewer SAMARA PURNELL.
"At times, Apcar was playing passages with his whole forearm. When the blues section of the work was reached, Apcar sang the lyrics as well. It was an extraordinary performance," writes reviewer LEN POWER.