"Beneath the playful veneer lies razor-sharp timing, a meticulously crafted structure and a knack of knowing exactly when to push the joke and when to pull back." BILL STEPHENS reviews the Burton Brothers' Tinseltown.
Review
"This is a lunatic play." ALANNA MACLEAN reviews Vanya and Sonia and Masha and Spike, a production by Mockingbird Theatre.
Book reviewer COLIN STEELE looks at the autobiographical accounts of the disparate lives of two British celebrities.
Sphere, with original music from Sia Ahmad, was "an exceptional and unusual" tenth birthday event of the Australian Dance Party at the Vault in Fyshwick, reviews MICHELLE POTTER.
ROB KENNEDY reviews Beyond, an exhibition by four artists - John Pratt, Kati Gorgenyi, Toni Hassan and Ujala Aftab - exploring global grief using painting, textiles, newsprint, and installation.
ROB KENNEDY reviews Never the twain shall meet, an exhibition by artist Fatima Killeen.
"It did not sound like a rock band with a tacked-on orchestra, with the two were well integrated with some attractive scoring, including two arrangements by Peter Sculthorpe." GRAHAM McDONALD reviews the Whitlams in concert with the CSO.
LEN POWER reviews Radiant Dawn: From Lamentation to Light, a performance by Coro choral ensemble.
"This was a classy, well-paced, high-energy show highlighted by outstanding dancing from a young, multi-talented cast." IAN McLEAN reviews Footloose.
MICHAEL WILSON reviews a performance of Beethoven's Fourth by the Australian Haydn Ensemble.
"The ghost of Beethoven would have thoroughly enjoyed the evening." THAYER PREECE reviews Musica Viva's touring program involving three most celebrated Australian classical musicians.
BRIAN ROPE reviews the latest collection of artworks by the 2024 Canberra City News Artist of the Year, Hilary Wardhaugh, in a joint photography exhibition with David Manley in Belconnen.
