Rob Kennedy reviews Luminescence and the Machine, developed in collaboration with Grammy Award winners William Brittelle and Cameron Beauchamp, at The Street Theatre.
Review
The extraordinary fascination with all things Jane Austen continues unabated, writes book reviewer ANNA CREER.
"This was a very cleverly conceived and realised Anzac Day concert. The singing was excellent and the readings from Ada’s letters were moving and an ongoing reminder of the horrors of that time," writes music reviewer GRAHAM McDONALD.
"Jordan Best shines in the role of the villain, sauntering across the stage; gleeful at the chaos of her plans unfolding and utterly disdainful of weakness." GRACE CASSIDY reviews Canberra Rep's new production of Les Liaisons Dangereuses.
MEREDITH HINCHLIFFE reviews an exhibition of woven geomorphic formations by Jennifer Robertson.
"Ida Pelliccioli's style is friendly and engaging rather than authoritative and grand. But she showed she is a rare master of the keyboard," writes music reviewer MICHAEL WILSON.
"It was disappointing that Aimee Brown’s performance was not made more visible." MICHELLE POTTER reviews the dance element of Salut! Baroque's Invitation to Dance concert.
MICHELLE POTTER reviews a "surprising" ballet presentation of the story of Aladdin at The Playhouse.
LEN POWER reviews a recital by young Italian pianist Andrea Molteni.
ROB KENNEDY reviews Schubert’s Death and the Maiden, a Chamber Series performance from the Canberra Symphony Orchestra.
"There’s a touch of Waiting for Godot too, as events go round in repetitious loops and imagery is repeated. Audience participation hovers as a perpetual threat." ALANNA MACLEAN reviews Thom Pain (based on nothing).
To read books or not to read? That is the question, says book reviewer COLIN STEELE who is reviewing three books about, well, books! Looking after them, looking out for them and loving them in libraries.
