NICK HORN reviews Joyeux Anniversaire, a performance by Selby & Friends at the Australian Centre for Christianity and Culture.
Review
JOE WOODWARD reviews Bell Shakespeare's new production of Henry 5.
"Curtains are swept from side to side, revealing and sweeping away vignettes of the ensemble in human towers, tricks or an amusing subterfuge." SAMARA PURNELL reviews The Mirror, a physical theatre performance by Gravity & Other Myths.
Book reviewer COLIN STEELE settles on two interesting titles. One deals with the slowly changing face of the elites in Britain, the other a humorous listing of the good and bad of modern life.
LEN POWER reviews the National Capital Orchestra's first concert for 2025, which was centred on Shostakovich.
MICHAEL WILSON reviews Harmonic Curves: Romantic Piano, a "thought-provoking" performance by pianist Arnan Wiesel.
"A gifted storyteller with a relaxed stream-of-consciousness style, all her stories were around food." BILL STEPHENS reviews Michelle Pearson's Comfort Food Cabaret.
IAN McLEAN reviews Angels & Serenades, a performance by Musica Da Camera Canberra, conducted by Brad Tham.
MICHAEL WILSON reviews Days of Miracle and Wonder, performed by the project choir Coro under the direction of David Mackay.
"Well pointed feet make a huge difference to the quality of ballet dancing and poor use of the feet prevented this Swan Lake being as strong as it might have been." MICHELLE POTTER reviews the Victorian State Ballet.
Reviewer ALANNA MACLEAN says Sophie Hutchings' Resonant Spaces performance was an unusual and rewarding evening.
"It’s all delightfully silly, but remarkably, in all the threatening chaos, WS Gilbert’s story gets told... and Arthur Sullivan’s music is respected." BILL STEPHENS reviews the wickedly silly laugh fest that's The Pirates of Penzance.
