KERRY-ANNE COUSINS reviews 'Move Me!' the latest exhibition by one of Canberra’s well known artists and a long established lecturer in painting at the ANU School of Art and Design, Elisa Crossing.
Review
Having long admired Canberra’s Luminescence Chamber Singers, reviewer DAVID WHITBREAD finds the quality of the Luminescence brand to be safe with the "excellent ensemble" of the latest concert - Luminescence Children's Choir.
IAN McLEAN reviews musician, diplomat and author Fred Smith's epic performance at the Australian War Memorial as part of the concert 'Unforgotten: Songs of Australians at War' and finds it "poignant, sobering, and reflective".
The artworks of poet and visual artist Judith Nangala Crispin and visual artist Stephen Harrison, both locals, combine to make one powerful exhibition, Afternoon of the Harpies, reviews ROB KENNEDY.
GRACE CASSIDY reviews one of William Shakespeare's lesser-known works - The Winter's Tale, directed by Heidi Silberman and being performed at The Mill Theatre.
Nicolas Alstaedt on baroque cello and Thomas Dunford on archlute presented a "well conceived and superbly executed recital at the very highest level of artistry" for Musica Viva Australia at Llewellyn Hall, reviews NICK HORN.
The return of Bach Akademie Australia to Canberra since their memorable presentation at the Canberra International Music Festival in 2024 was an "entertaining dash of theatricality", reviews GRAHAM McDONALD.
LEN POWER reviews pianist Edward Neeman's Lunchtime Faculty Recital that was "a bit of everything - melody, drama, emotion and a hint of greatness".
MEREDITH HINCHLIFFE reviews ANU School of Art in Ceramics graduate Sarit Cohen's latest exhibition, Vessels of Dialogue.
DAVID WHITBREAD reviews soloist Claire Edwardes's Dual Attractor Album Launch Tour performance where she mesmerised her audience for 70 minutes by creating "an almost spiritual atmosphere" from her five octave marimba.
ALANNA MACLEAN reviews the nearly three hours long epic, The Jungle and the Sea. Directed by S Shakthidharan and Eamon Flack, the play offers a "deeply felt treatment" of the civil war in Sri Lanka.
MICHELLE POTTER reviews Liz Lea and her colleagues's "distinctively varied' performance in Diamond, the second part of a projected dance trilogy at The Q Theatre.
