"Mountain is timeless, cyclical and ancient... A remnant of all that has been, where the symmetry of nature meets the ethereal and each element of dance, music and costume perfectly combine.," writes reviewer SAMARA PURNELL.
Review
NICK HORN reviews A Viola in Bloom, a recital by Robert Harris and Robert Manley.
"At times, Apcar was playing passages with his whole forearm. When the blues section of the work was reached, Apcar sang the lyrics as well. It was an extraordinary performance," writes reviewer LEN POWER.
MICHELLE POTTER reviews We Come Together to Dance, a performance by Quantum Leap Australia.
ANNA CREER reviews new books from two star crime writers: one "convoluted with twists and turns", the other "powerful and poignant".
From the deeply disturbing dance theatre of Little Dove's The Fool to the anarchic comedy of Frumpus's Landed, The Independents delivers two wildly contrasting shows, reviews GRACE CASSIDY.
A forgotten gem by Emilie Mayer gave way to Beethoven's monumental Archduke Trio as Amalia Hall, Edward Neeman and Patrick Suthers delivered a memorable concert, reviews LEN POWER.
Bach and Handel went head-to-head as SCUNA turned a Sunday afternoon concert at University House into a musical contest, with plenty of reasons to smile, reviews ALANNA MACLEAN.
"Burn the Floor has become a phenomenon, touring many productions over the years, including to Broadway and West End. And for one night, it was back to entertain Canberra," writes reviewer SAMARA PURNELL.
GRACE CASSIDY reviews a double billing at The Independents – A Festival of New Work.
ARNE SJOSTEDT reviews David Williamson's play 'Face to Face' at the Mockingbird Theatre which, at 80-minute, was expertly paced and devoid of dull moments.
MICHAEL WILSON reviews London-based artists, Alice Zawadzki (voice) and Fred Thomas, (piano)'s performance through songs of the undisputed master of the lieder genre, Franz Schubert for the 50th anniversary of Art Song Canberra.
