MEREDITH HINCHLIFFE reviews internationally recognised multi-disciplined artist Tamara Henderson's "multi-faceted and large exhibition" with glass as a central material.
Review
LEN POWER reviews Guerrieri et Amorosi, a performance by Oriana Chorale and Apeiron Baroque.
"Because it’s devised as a radio broadcast, the actors’ voices are the most important aspect of their performances." LEN POWER reviews The Wind In The Willows, adapted as a live radio play.
"This Tennessee Williams play about a simple moment that might be in anyone’s memory delved deeply into complex relationships that, with a little imagination, might well still be relevant today," writes JOE WOODWARD.
Mettle was an hour of almost continuous movement from every dancer. They attacked the choreography, with its spectacular twists and turns, with determination and skill," writes reviewer MICHELLE POTTER.
"The varied program made for a thoroughly enjoyable evening of finely played music for classical guitar." NICK HORN reviews a solo performance by Rupert Boyd.
Leading her latest column of new books, ANNA CREER reviews a biography of Alexander the Great, a man its author says, "spent his whole life unsure of who he really was”.
"This delightfully absurd comedy is satirical, poking fun at Cold War paranoia, the joys of quiche as well as American society and attitudes of the 1950s," writes reviewer LEN POWER.
ALANNA MACLEAN reviews Kerosene, a powerful monologue about growing up and the fires within, performed by actor Winsome Ogilvie and directed by Lachlan Houen.
The revival of Graeme Murphy’s exquisite staging of Franz Lehár’s 120-year-old operetta, The Merry Widow, at the Sydney Opera House powerfully demonstrates why it was destined to become an audience favourite, reviews BILL STEPHENS.
NICK HORN reviews Muse and Musings: The Chopin-Viardot Mazurka Dialogues, a performance by Anna Fraser, Claire Burrell-McDonald and Giulio Biddau.
A post-covid 50th birthday party conversation about middle age and menopause was the catalyst behind the musical Middle Raged, directed by Priscilla Jackman, reviews SAMARA PURNELL.
