MEREDITH HINCHLIFFE reviews ceramicists Jo Victoria and Sara Ormonde drawing inspiration from the meeting of water and shoreline to evoke the NSW south coast.
Polifemy's finely balanced voices and BlockSounds' beguiling birdcalls filled Wesley in Robyn Mellor's inspired celebration of spring, reviews DAVID WHITBREAD.
MICHELLE POTTER reviews Canberra's dance community devoting an evening at The Street Theatre to exploring Viennese-born Gertrud Bodenwieser's technique and legacy as her influence lives on in Australian dance.
LEN POWER reviews theatre company Bloomshed's take on George Orwell's Animal Farm, setting the story in rural Australia and giving the animals a voice that sounds "uncomfortably like the language of Australian labour politics".
ROB KENNEDY reviews English artist David Hockney's works in the latest exhibition at National Gallery of Australia that shows how his use of portraiture functions as an aesthetic anchor in his art.
Two Chinese migrants return to their homeland with cameras in hand, capturing the strange territory between belonging and displacement, reviews CON BOEKEL.
Arthur and Lucas Jussen proved why they are in demand around the world with an almost perfect program showcasing works for four hands on one piano, reviews DAVID WHITBREAD.
BILL STEPHENS reviews director Bradley McDowell and Canberra Philharmonic Society's newest iteration of the high popular 'Grease', turning it into a high-energy dance extravaganza, thereby avoiding some of the darker aspects of the script.
Zoltán Szabo, cello, and Nicholas Kennedy, piano, presented a recital featuring rare instruments from the ANU Historical Keyboard Collection, an opportunity "not to be missed", reviews LEN POWER.
An impressive exhibition showing 18 of Australia's leading artists, 6 of whom are 'emerging', the 2026 Fuse Glass Prize is on at the ANU School of Art & Design, reviews MEREDITH HINCHLIFFE.