Arts editor HELEN MUSA reviews Judith Clingan's song cycle, The Prophet - as part of the second half of Wayfarers Australia's concert Musica Vitae - which, based on Kahlil Gibran's famous 1923 work, is "not one of Clingan’s finer works".
Helen Musa
“CityNews” arts editor
Here's the latest Arts in the City column from CityNews arts editor HELEN MUSA.
HELEN MUSA reviews Eternal Light, a performance of sacred music by The Resonants vocal ensemble.
Blues troubadour and folk musician Archer Shepherd, simply known as Archer, is due to descend on Belconnen Arts Centre in early July with a 28-strong brass band, reports arts editor HELEN MUSA.
Arts editor HELEN MUSA writes about the inaugural Winter in the Woods festival that will run at the National Arboretum from June to August, complete with ”firelight, food and forest adventure”.
Directed by Lee Lewis and being performed at Canberra Theatre, Robert Harling's Steel Magnolias has a "zippy script, full of scintillating one-liners", guaranteeing "a ripping night", writes arts editor HELEN MUSA.
The National Gallery of Australia has on Thursday unveiled the full suite of 20 huge Saint Francis tapestries by Arthur Boyd to the assembled press before the exhibition Arthur Boyd: Tapestries goes on show to the public from Saturday.
Here's the latest Artsweek column by arts editor HELEN MUSA for Canberrans looking for artsy things to watch or do.
If your vision of the Italian extended family is rose-tinted, Frank Lotito's comedy The Italian Divorce, coming soon to The Q, may give you pause for thought, writes HELEN MUSA.
Public reaction to Australia’s first locally made car in 1948 was extraordinary. Now an aptly titled exhibition at the National Archives, Rear Vision: the Holden Collection, brings to life memories and stories of GMH, reports HELEN MUSA.
Country Love : The Ultimate Date Night will see three country music couples take to the stage with hit songs from each couple's repertoire, reports HELEN MUSA.
In its latest production 'Letters to Lindy', Australia's longest continuously running theatre company, Lieder Theatre Company, revisits the extraordinary media vilification of Lindy Chamberlain-Creighton, reviews arts editor HELEN MUSA.
