"There’s a few modernising tweaks to the language but those of us mouthing along with the dialogue weren’t worried by that, so good is the energy and the fun." ALANNA MACLEAN reviews Izzard: The Tragedy of Hamlet.
Arts editor HELEN MUSA reviews veteran Bharatanatyam dancer Anandavalli's blindfolded performance as part of her central role in the Australian play The Jungle and the Sea at The Playhouse.
The feature film responsible for Australian sayings such as ''Tell him he's dreaming'' is being launched as a stage production.
Aspiring seeing-eye dogs have visited a renowned arts venue, highlighting accessibility measures to help blind and low-vision people.
Mockingbird Theatre Company's production of the thriller The Girl on the Train threatens to throw audiences right into the centre of the action, reeports arts editor HELEN MUSA.
"Because it’s devised as a radio broadcast, the actors’ voices are the most important aspect of their performances." LEN POWER reviews The Wind In The Willows, adapted as a live radio play.
"This Tennessee Williams play about a simple moment that might be in anyone’s memory delved deeply into complex relationships that, with a little imagination, might well still be relevant today," writes JOE WOODWARD.
A fascinating pilot program unfolded at The Street Theatre on Wednesday night, using interactive theatre to probe one of the most contentious issues facing young people: online misogyny and the influence of the manosphere.
Canberra Theatre Centre has joined forces with three of Australia's leading regional performing arts organisations in a landmark partnership designed to create more large scale Australian theatre.
"This delightfully absurd comedy is satirical, poking fun at Cold War paranoia, the joys of quiche as well as American society and attitudes of the 1950s," writes reviewer LEN POWER.
ALANNA MACLEAN reviews Kerosene, a powerful monologue about growing up and the fires within, performed by actor Winsome Ogilvie and directed by Lachlan Houen.
"Suzy Eddie Izzard will be at The Playhouse soon with her sensational production, The Tragedy of Hamlet – yes, that’s Shakespeare’s Hamlet," writes HELEN MUSA.
One of Canberra's busiest young theatre directors, Lachlan Houen, is leaving the capital for Melbourne after several years in which he has become a familiar figure both onstage and behind the scenes.
Canberra Repertory is about to embark on its most ambitious show of the 2026 season, The Glass Menagerie, and it has a world expert on Tennessee Williams at the helm of the production, writes arts editor HELEN MUSA.
Billed as "a tasty recipe of hysterical laughs, sexual innuendos, unsuccessful repressions and delicious discoveries", the play 5 Lesbians Eating a Quiche is coming to ACT Hub, reports HELEN MUSA.
Albert Camus's Caligula, directed by Isaiah Prichard and presented by Performative Theatre Company, is "an unlikely amalgam of Rocky Horror, Shakespeare's Macbeth and Brecht's Arturo Ui", reviews JOE WOODWARD.
Sydney Fringe hit Gia Ophelia, written by playwright Grace Wilson and directed by Canberra-born Jo Bradley, is coming to Canberra for a limited season at the Courtyard Studio.
A new theatre company, directed by Isaiah Prichard, is mounting a production of Albert Camus’s rarely performed Caligula. Arts editor HELEN MUSA has the story.
The theatre industry wants help to cope with soaring costs that have meant curtains even for certified hits such as Beetlejuice the Musical.
