In this retrospective exhibition, audiences are given little tasters of Nancy Tingey's work since 1963, including the pleasure of being able to leaf through her diaries, workbooks, albums and journals since this time.
Review
"This was not so much a concert, but a combination of short pieces of music, projected video and text all put together around the theme of the world under threat of climate change," writes reviewer GRAHAM McDONALD.
LEN POWER reviews Echoed Voices, a concert by soprano Siobhan Stagg and pianist Nico de Villiers.
The Girl Who Glows is an intriguing show for the under 10s about a young girl who literally shines in the dark as she tries to prevent darkness from taking over.
"Horizon is an admirable undertaking and, as is usual with Bangarra productions, the collaborative elements were exceptional," writes reviewer MICHELLE POTTER.
In the sure hands of director Jordan Best and a top six-woman cast Joanna Murray-Smith’s Bombshells has a terrific impact, writes reviewer ALANNA MACLEAN.
BILL STEPHENS reviews The Grandparents Club, an all-Australian musical revue and entertaining celebration of the world of grandparenthood.
LEN POWER reviews the Winter Recital by Wesley Music Scholars.
LEN POWER reviews Coro's performance of Requiem at Wesley Uniting Church on Sunday.
"Can a piece of music be considered a valuable treasure? The question was answered in Selby & Friends' latest concert, Jewels in the Crown," writes reviewer ROB KENNEDY.
"Attracted by the promise that Gray would sing every song from the On How Life Is album, the audience seemed to know every lyric of every song, whenever invited to sing along, which was often." BILL STEPHENS reviews the Macy Gray concert.
In the international art world, Gauguin is a box-office hit. How do galleries balance Gauguin commercial success with heightened public sensitivity to issues of gender, race and colonial appropriation, asks book reviewer COLIN STEELE.
