GRAHAM McDONALD reviews the Fyshwick performance of the Alpenrose Trio.
Review
KERRY-ANNE COUSINS reviews the 2024 Waterhouse Natural Science Art Prize, now showing at the National Archives.
LEN POWER reviews Magnificat a joint performance by Luminescence Chamber Singers and Children’s Choir with Apeiron Baroque.
SAMARA PURNELL reviews Manage Your Expectations, a performance of physical theatre by Eliza Sanders.
Former Canberran PETER BROWN, now a professor at the University of French Polynesia, has been following the Heiva i Tahiti cultural festival in Papeete and sees a link with the recent Gauguin launch at the National Gallery of Australia.
"Judged against the sophistication of current indigenous theatre, The Sunshine Club now seems naïve and even amateurish. However, it is that very naivety that makes this production so appealing," writes reviewer BILL STEPHENS.
ROB KENNEDY reviews Lost Love Songs, a recital that brought back to life music and songs of many musicians lost to war.
"The Oriana Chorale presented an hour and a quarter of, with one exception, contemporary vocal music full of surprises and delights," writes reviewer GRAHAM McDONALD.
ARNE SJOSTEDT reviews Canberra Rep's production of Lord of the Flies.
BRIAN ROPE reviews the work of photographer Eva van Gorsel, part of the Emotional Landscapes I exhibition at ANCA Gallery.
Reviewer ANNA CREER looks at three new books centred on different insights of the life of English author Jane Austen.
"The production of Mary Stuart provides an opportunity to experience something of the very essence of power play and how it makes for exciting and challenging theatre," says reviewer JOE WOODWARD.
