In her first review for CityNews, SOPHIA HALLOWAY reviews Pop Songs in the Desert, at the Mixing Room Gallery, Fyshwick, until October 26.
Review
"This was a most impressive first performance by this ensemble. It is exotic at one level, yet readily accessible with musicianship of a very high level." GRAHAM McDONALD reviews The Academy of Ancient Song Roads by the Jazmourian Ensemble.
LEN POWER reviews Sublime Viennese Sounds, a concert by Myee Clohessy, violin, and John Martin, piano.
"This epic play in two parts is a... story set in the queer community, but its message of love, loss, hope and healing will resonate with everyone." LEN POWER reviews The Inheritance, Parts 1 & 2.
ROB KENNEDY reviews Industrial Revolutions, a concert by Ronan Apcar.
"When the women go to wake the only man of the house, to their horror, they find him stabbed and covered in blood. And now the daughters, wife, sister, in-laws, and house staff are all suspects." SAMARA PURNELL reviews 8 Women.
ROB KENNEDY reviews The Networker concert, a performance by Salut! Baroque at the National Gallery.
SARAH BYRNE reviews an unusual performance by the CSO String Quartet at the Gandel Atrium, National Museum.
BRIAN ROPE reviews the Marsden Arts Group's exhibition titled Journeys.
MEREDITH HINCHLIFFE reviews The Places we Inhabit: Vessels from the Villages, an exhibition at Canberra Potters Gallery, Watson.
"The premiere of William Barton’s Journey to the Edge of the Horizon was one of the most thrilling pieces of music I’ve heard in a long time. I don’t think I blinked for the full 15 minutes," writes reviewer SARAH BYRNE.
COLIN STEELE reviews a new book on the psychological hows and the behavioural whys that go into what it takes to be famous, really famous.
