"Under Leisa Keen’s direction I have no doubt this group will continue to improve and flourish," writes SARAH BYRNE in her review of Opus Two – The Vocal Group.
Review
MEREDITH HINCHLIFFE reviews The Poetry of Things, an exhibition by glass artists Annette Blair & Kirstie Rea.
GRAHAM McDONALD reviews Polar Night & Midnight Sun, a performance by Hardanger fiddle player Benedicte Maurseth.
"There was little, if anything, which could be criticised in this concert. It was sung beautifully with exemplary pitch and phrasing," writes reviewer GRAHAM McDONALD.
MEREDITH HINCHLIFFE reviews Skin Deep, an exhibition by glass artist. Gabriella Bisetto.
"An incredible evening of music and artistic performance that was clearly enjoyed by its enthusiastic audience." THAYER PREECE reviews the Australian Chamber Orchestra's 50th anniversary performance of Cocteau's Circle.
"This play doesn’t give you much chance to settle in and feel comfortable. It tackles the desperate ingenuity of ordinary people facing rising prices and economic injustice." ARNE SJOSTEDT reviews Low Pay? Don’t Pay!
"The pianist’s spontaneous playing, broad dynamic range and sensitive rubato retained a sense of the ideal placement for each note, particularly in the more contemplative passages." NICK HORN reviews a performance by Piotr Anderszewski.
How we communicate information and entertainment has changed dramatically over the millennia, writes book reviewer COLIN STEELE.
"The Almighty Sometimes is a long play (and perhaps could have used some pruning), but it’s an absorbing one," writes theatre reviewer ALANNA MACLEAN.
"The National Capital orchestra's concert certainly demonstrated the orchestra's mastery of challenging repertoire," writes reviewer BILL STEPHENS.
"This concert was a great showcase for the flute in the hands of Ana de la Vega and a reminder of the steadfastness of skilled accompanists, in this case pianist Grace Kim," writes music reviewer ALANNA MACLEAN.
