IAN McLEAN reviews Baroque Treasures, a performance by Musica Da Camera Canberra.
Review
Tuggeranong Arts Centre’s music program includes a series called CSO Down South, the Canberra Symphony Orchestra’s bite-sized and scaled-down concerts for that equally bite-sized and scaled-down venue, writes reviewer SARAH BYRNE.
SOPHIA HALLOWAY reviews Metal, a solo show by Asian-Australian artist Kien Situ.
ALANNA MACLEAN reviews Bell Shakespeare’s Romeo and Juliet: "It has an intense Juliet in Madeline Li and a Romeo with feeling in Ryan Hodson and they make a convincing couple."
"This was a cleverly programmed and very well played concert of baroque music by Italian and German composers of wonderful obscurity." GRAHAM McDONALD reviews Apeiron Baroque.
"All in all, this was a thoroughly enjoyable afternoon’s introduction to some of the gems of Cuban popular music, with Ayse Göknur Shanal’s luscious singing," writes reviewer NICK HORN.
"There was a consistent sense of precision and commitment to execution in this play that didn’t lose its grip." ARNE SJOSTEDT reviews God of Carnage.
BILL STEPHENS reviews The Addams Family.
COLIN STEELE reviews two books about writers, both revealing in different ways.
SOPHIA HALLOWAY reviews Seeing the Invisible, an exhibition by Melbourne-based multi-disciplinary artist Maree Clarke.
CON BOEKEL reviews an exhibition of forgotten images taken in Texas in 1972-73 by Judith Macdougall and curated by her husband David.
"Canadian play The Drawer Boy is a good find. On an imaginative but spare set by Chris Baldock, drawn images of cows and a farm frame the kitchen of a house with a few secrets," writes reviewer ALANNA MACLEAN.
