"One of Canberra’s favourite stage performers, Amanda Bishop, will soon be back on the stage of The Playhouse, playing Truvy, the owner of the fictional hairdressing salon at the centre of Steel Magnolias," reports arts editor HELEN MUSA.
Helen Musa
“CityNews” arts editor
Here's arts editor HELEN MUSA's latest Arts in the City column.
HELEN MUSA reviews The Oracle, a performance by Ensemble Offspring, its “biggest and boldest program of the season”.
Opening this weekend, Canberra Museum + Gallery marks the milestone with a new exhibition celebrating Canberra’s first community radio station 2XX and the people who shaped it, writes arts editor HELEN MUSA.
Canberra Museum + Gallery, custodian of the Nolan Collection of 218+ artworks gifted by Sidney Nolan, this weekend opens Public Impressions: Sidney Nolan in Popular Media, writes arts editor HELEN MUSA.
The ACT writers’ group, MARION, on Thursday released the shortlist for the 2026 ACT Literary Awards, to be announced on July 2.
The first Q The Locals show of 2026 coming up at the Queanbeyan Performing Arts Centre sounds like it’s fun, but what we’ll see on stage is anything but an innocent game, says arts editor HELEN MUSA.
There's indie music, Spanish & Latin film festival, drum and dance workshops, and meet the author, to name a few, happening in and around Canberra in this week's Artsweek column by arts editor HELEN MUSA.
The new Hand to Hand Academy is an initiative of Warehouse Circus getting behind Registered Training Organisation certificates, helping put the ACT on the national map alongside training offered elsewhere.
Here's the latest Arts in the City column from arts editor HELEN MUSA.
Snow Concert Hall is about to make a rare foray into opera this weekend with a planned gala featuring two of Australia’s most respected operatic stars, soprano Cathy-Di Zhang and mezzo soprano Helen Sherman, writes arts editor HELEN MUSA.
Terence Rattigan is not a name often heard in theatre circles these days, but ACT Hub is about to set that to rights with its coming production of his play The Deep Blue Sea, writes arts editor HELEN MUSA.
