There's indie music, Spanish & Latin film festival, drum and dance workshops, and meet the author, to name a few, happening in and around Canberra in this week's Artsweek column by arts editor HELEN MUSA.
The new Hand to Hand Academy is an initiative of Warehouse Circus getting behind Registered Training Organisation certificates, helping put the ACT on the national map alongside training offered elsewhere.
Snow Concert Hall is about to make a rare foray into opera this weekend with a planned gala featuring two of Australia’s most respected operatic stars, soprano Cathy-Di Zhang and mezzo soprano Helen Sherman, writes arts editor HELEN MUSA.
Terence Rattigan is not a name often heard in theatre circles these days, but ACT Hub is about to set that to rights with its coming production of his play The Deep Blue Sea, writes arts editor HELEN MUSA.
The male Maratus spider may well be the sexiest insect in the world, if viewed properly, far sexier than the peacock after whom the tiny arachnid has been nicknamed, writes arts editor HELEN MUSA.
"It’s playful stuff with a sensible Austen heroine at its centre who is surrounded by unsuitable suitors, a young and feckless sister, and a mother who wants her daughters married off." ALANNA MACLEAN reviews Promise and Promiscuity.
"Although Scott Morrison’s presence hovers over the entire production and largely inspired it, this is a sophisticated work full of shifting perspectives." HELEN MUSA reviews Playback (Or, A Play About But Not Starring a Famous Politician).
"Audiences never seem to tire of the epic scale of its uplifting story nor of the glorious score in which every song is a classic." BILL STEPHENS reviews the Queanbeyan Players' new production of Les Miserables.