‘Heartwarming’: Bedroom farce stands the test of time
SIMONE PENKETHMAN reviews Canberra Rep's latest production of Alan Ayckbourn's 1975 play Bedroom Farce.
Reviews
"From the first moments, it was obvious that this was going to be a first-rate evening of theatre." ARNE SJOSTEDT reviews the Lakespeare production of Shakespeare's The Taming of the Shrew.
MEREDITH HINCHLIFFE reviews a travelling exhibition from Adelaide's JamFactory by metalsmithing artist Julie Blyfield titled Chasing a Passion.
"The six actors give fine ensemble performances, bringing their individual characters to life. The overlapping dialogue is skilfully presented, giving each character a convincing naturalness." LEN POWER reviews Never Closer.
Reviews
Deeply personal story as Malala finds her way
Book reviewer COLIN STEELE looks at the lives of two very different people.
Reviews
Seeds of a powerful work need nurturing
"Unfortunately, the rhythm of the piece was broken with long and unnecessary blackouts that jarred the flow of the story." JOE WOODWARD reviews La Souris Blanche (The White Mouse).
Reviews
‘Daring’ program around Rachmaninoff’s Rhapsody
THAYER PREECE reviews Rachmaninoff’s Rhapsody, a performance by the Australian Chamber Orchestra.
"In Regeneration Glyphs, the artist brings together not only a selection of past works that provide a continuum of ideas and images, but also exciting recent work that promises new beginnings," writes reviewer KERRY-ANNE COUSINS.
MICHAEL WILSON reviews the Canberra Bach Ensemble's performance of Christe, du Lamm Gottes – the music of JS Bach.
ALANNA MACLEAN reviews Homage to Kurtag, a performance by soprano Amy Moore and pianist Edward Neeman.
GRAHAM McDONALD reviews Accordion Dances, the first of this year’s Canberra Symphony Orchestra’s Chamber Series.
ROB KENNEDY reviews Sharing Stories Arts Exchange exhibition at the ANU School of Art & Design.
SAM WILSON reviews Beethoven and Beyond, a performance by pianists Bernice Chua and Joshua Han.
"This adaptation for the stage of the 1998 film Shakespeare in Love works very well as a way of showcasing lots of up and coming talent." writes reviewer ALANNA MACLEAN.
"The exhibitions share a concern with the intertwined themes of time, of physics, of nature, and of being human. Individually, the two are crackers. Combined, they gain synergistic meaning and powerful intensity," says reviewer CON BOEKEL.
Three recent, excellent crime novels set in Scotland, have caught the eye of book reviewer ANNA CREER.
"None of this was comfortable listening. It is the polar opposite of easy listening. Yet it should not be forgotten that from such interactive experiments comes new music, for new generation ears." HELEN MUSA reviews SoundOut 2026.
SARAH BYRNE reviews Concord of Sweet Sounds, performed by Salut Baroque.
"A gentle evening dedicated to American violinist and teacher Camilla Wicks made for lovely listening at the Wesley Music Centre." writes reviewer ALANNA MACLEAN.
