Canberra’s best coverage of local arts news plus reviews, including dining, film, theatre, music, visual arts and dance
Footloose: The Musical returns to Canberra in a new production – bigger, bolder and more explosive than ever before – at the Royal Theatre, May 8-10. The iconic ‘80s phenomenon, is coming to Canberra in May
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MICHELLE POTTER reviews a "surprising" ballet presentation of the story of Aladdin at The Playhouse.
LEN POWER reviews a recital by young Italian pianist Andrea Molteni.
The memorial service for Kate McNamara, one of Canberra’s most colourful and individualistic arts personalities, will be held at The Street Theatre on May 16.
“Sexy-disturbing” is how director Lainie Hart describes Les Liaisons Dangereuses, Christopher Hampton’s adaptation of Pierre Choderlos de Laclos’ 1782 novel, coming up at Canberra Rep Theatre.
Here's the latest Artsweek column by HELEN MUSA with her weekly serve of everything arts around the city.
With Anzac Day approaching, Polifemy is embarking on something it has never done before, blending slideshow, spoken word and music into its usual performance format, reports HELEN MUSA.
ROB KENNEDY reviews Schubert’s Death and the Maiden, a Chamber Series performance from the Canberra Symphony Orchestra.
HELEN MUSA reviews Easter Oratorio, a performance by the Canberra Bach Ensemble.
Here's HELEN MUSA's latest Arts in the City column.
Like its predecessor, the plot of Beef's new season starts with one simple moment that explodes into something absurd, says streaming columnist NICK OVERALL.
"There’s a touch of Waiting for Godot too, as events go round in repetitious loops and imagery is repeated. Audience participation hovers as a perpetual threat." ALANNA MACLEAN reviews Thom Pain (based on nothing).
Civic will come alive this Sunday as members of Canberra Quilters transform City Walk into a moving celebration of colour, craft and community.
To read books or not to read? That is the question, says book reviewer COLIN STEELE who is reviewing three books about, well, books! Looking after them, looking out for them and loving them in libraries.
A newly discovered 17th-century map sheds light on playwright William Shakespeare's life in London, where he made his name and worked.
"With a tight run time and a strong cast, No Exit deftly balances existential dread with glittering moments of dark humour," writes GRACE CASSIDY in her first review for CityNews.
Gallipoli Art Prize winner Luke Cornish has criticised the desecration of a Commonwealth cemetery in Gaza, in which his great-uncle was buried.
Here's Artsweek, HELEN MUSA latest wrap of what's on where around the local arts scene this week.
When Luminescence Chamber Singers step on to the stage for Luminescence and the Machine, they won’t just be singing – they’ll be revamping what a vocal ensemble can be, writes HELEN MUSA.
