Diamond confronts ageing with unflinching candour
MICHELLE POTTER reviews Liz Lea and her colleagues's "distinctively varied' performance in Diamond, the second part of a projected dance trilogy at The Q Theatre.
Dance
Inspired by the strength, resilience and many facets of a diamond, Liz Lea's new dance-cum-cabaret show, Diamonds, reflects on how we are shaped by experience, pressure and the determination to keep shining, reports HELEN MUSA.
Mettle was an hour of almost continuous movement from every dancer. They attacked the choreography, with its spectacular twists and turns, with determination and skill," writes reviewer MICHELLE POTTER.
A First Nations dance company is set to be awarded a major accolade at the Venice Biennale - but says it represents just 35 of 65,000 years of stories.
Dance
Physicality fuels Sydney Dance Company’s Engine
The "unusual" title of Sydney Dance Company’s latest production, 'Engine' refers to "an intensity of movement seen in the full-on, engine-like physicality that characterised all three works" that it's composed of, reviews MICHELLE POTTER.
Dance
Bangarra’s triple-bill dance production honours past and present
"A remount of Sheoak, premiered in 2015 and choreographed by Bangarra artistic director Frances Rings, was the final piece in Sheltering." SAMARA PURNELL reviews Bangarra Dance Theatre's latest production.
Dance
Sphere turns industrial Vault into living stage
Sphere, with original music from Sia Ahmad, was "an exceptional and unusual" tenth birthday event of the Australian Dance Party at the Vault in Fyshwick, reviews MICHELLE POTTER.
Australian Dance Party is gearing up to celebrate its 10-year coming of age with its new work, Sphere, reports arts editor HELEN MUSA.
SAMARA PURNELL reviews the dance film Pointe: Dancing on a Knife’s Edge, which features dancer Floeur Alder.
"Djilba was created by Floeur Alder in the months following the death of her father, Canberran Alan Alder, as a means of grieving, healing and of celebration," writes dance reviewer SAMARA PURNELL.
It was a toss-up between the bling and the perfect autumn weather for centre stage at the launch of International Dance Week by Ausdance ACT atop Mount Ainslie on Wednesday morning, reports HELEN MUSA.
A dancer with a remarkable family history and a horrifying tale to tell is at the centre of Ausdance ACT’s Australian Dance Week celebrations, the biggest in the country, reports arts editor HELEN MUSA.
The name Australian Dance Party has a cheeky political edge, fitting for a professional contemporary dance company based in Canberra. Ten years on, founding director Alison Plevey tells HELEN MUSA how that identity came to be.
"It was disappointing that Aimee Brown’s performance was not made more visible." MICHELLE POTTER reviews the dance element of Salut! Baroque's Invitation to Dance concert.
MICHELLE POTTER reviews a "surprising" ballet presentation of the story of Aladdin at The Playhouse.
Arts editor HELEN MUSA reviews the opening concert of the 60th National Folk Festival at Exhibition Park.
"I’m really not sure what the point of Swan? was and I was relieved when the show finished. Other members of the audience clearly had a great night out," writes dance reviewer MICHELLE POTTER.
MICHELLE POTTER reviews Impulse, a performance by Australian Dance Party at Woden Town Square.
Bangarra Dance Theatre has made history by becoming the first Australians, and the first company, to receive the Golden Lion for Lifetime Achievement in Dance from the Venice Biennale.
