"An incredible evening of music and artistic performance that was clearly enjoyed by its enthusiastic audience." THAYER PREECE reviews the Australian Chamber Orchestra's 50th anniversary performance of Cocteau's Circle.
"This play doesn’t give you much chance to settle in and feel comfortable. It tackles the desperate ingenuity of ordinary people facing rising prices and economic injustice." ARNE SJOSTEDT reviews Low Pay? Don’t Pay!
"The pianist’s spontaneous playing, broad dynamic range and sensitive rubato retained a sense of the ideal placement for each note, particularly in the more contemplative passages." NICK HORN reviews a performance by Piotr Anderszewski.
"This concert was a great showcase for the flute in the hands of Ana de la Vega and a reminder of the steadfastness of skilled accompanists, in this case pianist Grace Kim," writes music reviewer ALANNA MACLEAN.
"Tim Minchin's show is a remarkably personal reminiscence presented on the scale of a Cecil B DeMille movie with a red-hot band, pyrotechnics and a stunning light show," writes reviewer BILL STEPHENS.
"The eclectic works and the varied musical voices made for a captivating concert." ROB KENNEDY reviews The False Prophet, a performance by BlockSounds.
"What was remarkable was the orchestra's coherence and balance. Every section was just the right volume alongside the others and it made for a delightfully integrated sound." GRAHAM McDONALD reviews the final CSO performance for the year.