LEN POWER reviews a performance by the Australian Haydn Ensemble. "The ensemble’s performance was exciting, clear and wonderfully entertaining."
Review
SAMARA PURNELL reviews the Australian Dance Party's performance of The Dataset.
It’s time to stay indoors and let four authors take you to faraway places, writes book reviewer ANNA CREER.
SARAH BYRNE reviews the Australian String Quartet's dramatic performance of Vanguard at Gandel Hall.
ALANNA MACLEAN reviews pianist Margaret Legge-Wilkinson's performance of Birds of the Alps at the Australian Centre for Culture and Christianity.
CON BOEKEL reviews photographic doyen Brian Rope's first solo exhibition.
JOE WOODWARD reviews Dostoyevsky’s Crime and Punishment at The Street Theatre.
CASSIDY RICHENS reviews a concert by Castlemaine singer-songwriter Eliza Hull and her three-piece band.
"Creating a symbiosis of movement, space and time and timelessness in endless space, this beautiful production leaves a lasting impression." SAMARA PURNELL reviews the Sydney Dance Company's performance of Momenta.
SARAH BYRNE reviews Let My Love Be Heard, a performance by VOCES8 with Jack Liebeck at Snow Concert Hall.
"Erin Helyard, conducted with an obvious love and passion for Handel’s oratorio and achieved a fine balance between the Canberra Symphony Orchestra, the CSO Chorus and four excellent soloists." IAN McLEAN reviews Friday's performance.
ALANNA MACLEAN reviews The Historian, a performance by Salut! Baroque with Duncan Driver.
