Nicolas Alstaedt on baroque cello and Thomas Dunford on archlute presented a "well conceived and superbly executed recital at the very highest level of artistry" for Musica Viva Australia at Llewellyn Hall, reviews NICK HORN.
The return of Bach Akademie Australia to Canberra since their memorable presentation at the Canberra International Music Festival in 2024 was an "entertaining dash of theatricality", reviews GRAHAM McDONALD.
DAVID WHITBREAD reviews soloist Claire Edwardes's Dual Attractor Album Launch Tour performance where she mesmerised her audience for 70 minutes by creating "an almost spiritual atmosphere" from her five octave marimba.
ALANNA MACLEAN reviews the nearly three hours long epic, The Jungle and the Sea. Directed by S Shakthidharan and Eamon Flack, the play offers a "deeply felt treatment" of the civil war in Sri Lanka.
MICHELLE POTTER reviews Liz Lea and her colleagues's "distinctively varied' performance in Diamond, the second part of a projected dance trilogy at The Q Theatre.
NICK HORN reviews Channels, a "perfectly balanced presentation of documentary film and music", celebrating the life, practice and philosophy of artists actively engaged with the creative process late in life, by Liam Creswick and team.
Rachel Wagstaff and Duncan Abel's adaptation and Chris Baldock's direction of the psychological thriller 'The Girl On The Train' leaves the audience with "an uncomfortable feeling", reviews LEN POWER.
In their first Australian visit and a Canberra debut at Snow Concert Hall, the storied Sitkovesky Trio delivered the Beethoven Piano Trio in D with "expression and panache", reviews SARAH BYRNE.