"Luminescence continues to bring a singular virtuosity to their performances, and are champions of genuinely interesting and sometimes challenging new work," writes reviewer SARAH BYRNE.
Review
"Daisy Pulls It Off examines the life of a scholarship girl, bright and cheerful Daisy Meredith, who arrives at a posh girls’ school where she encounters snobbery and a degree of savagery," writes reviewer ALANNA MACLEAN.
Five decades of Roslyn Kean's printmaking reveal extraordinary technical mastery, geometric complexity and a beguiling Japanese influence, reviews DAVID WHITBREAD.
MEREDITH HINCHLIFFE reviews acclaimed ceramicist Lynda Draper grafting glass and bronze on to her hand-built ceramics to create intriguing new forms at Canberra Glassworks.
MEREDITH HINCHLIFFE reviews ceramicists Jo Victoria and Sara Ormonde drawing inspiration from the meeting of water and shoreline to evoke the NSW south coast.
ALANNA MACLEAN reviews Edward Neeman and the CSO Wind Quartet showcasing the individual talents within Canberra's larger orchestra in a lilting spring concert.
Polifemy's finely balanced voices and BlockSounds' beguiling birdcalls filled Wesley in Robyn Mellor's inspired celebration of spring, reviews DAVID WHITBREAD.
MICHELLE POTTER reviews Canberra's dance community devoting an evening at The Street Theatre to exploring Viennese-born Gertrud Bodenwieser's technique and legacy as her influence lives on in Australian dance.
Led by violinist John Ma, Musica Da Camera delivered a sparkling program of Baroque favourites that put spring firmly in the air, reviews LEN POWER.
LEN POWER reviews theatre company Bloomshed's take on George Orwell's Animal Farm, setting the story in rural Australia and giving the animals a voice that sounds "uncomfortably like the language of Australian labour politics".
ROB KENNEDY reviews English artist David Hockney's works in the latest exhibition at National Gallery of Australia that shows how his use of portraiture functions as an aesthetic anchor in his art.
Two Chinese migrants return to their homeland with cameras in hand, capturing the strange territory between belonging and displacement, reviews CON BOEKEL.
