CON BOEKEL reviews two portrait photography exhibitions Nanuma by Karlina Mitchell and Deadpan Artefacts by Melita Dahl.
Review
MEREDITH HINCHLIFFE reviews Extra Padding, a collaborative exhibition of quilted works by eleven artists at Platform, Manuka.
SAMARA PURNELL reviews the dance film Pointe: Dancing on a Knife’s Edge, which features dancer Floeur Alder.
"Mandela Mathia is a charismatic young man with a fascinating story to tell. His show gives him the opportunity to tell his personal story as well as showcase his skills as an actor and singer," writes reviewer LEN POWER.
"Djilba was created by Floeur Alder in the months following the death of her father, Canberran Alan Alder, as a means of grieving, healing and of celebration," writes dance reviewer SAMARA PURNELL.
Rob Kennedy reviews Luminescence and the Machine, developed in collaboration with Grammy Award winners William Brittelle and Cameron Beauchamp, at The Street Theatre.
The extraordinary fascination with all things Jane Austen continues unabated, writes book reviewer ANNA CREER.
"This was a very cleverly conceived and realised Anzac Day concert. The singing was excellent and the readings from Ada’s letters were moving and an ongoing reminder of the horrors of that time," writes music reviewer GRAHAM McDONALD.
"Jordan Best shines in the role of the villain, sauntering across the stage; gleeful at the chaos of her plans unfolding and utterly disdainful of weakness." GRACE CASSIDY reviews Canberra Rep's new production of Les Liaisons Dangereuses.
MEREDITH HINCHLIFFE reviews an exhibition of woven geomorphic formations by Jennifer Robertson.
"Ida Pelliccioli's style is friendly and engaging rather than authoritative and grand. But she showed she is a rare master of the keyboard," writes music reviewer MICHAEL WILSON.
"It was disappointing that Aimee Brown’s performance was not made more visible." MICHELLE POTTER reviews the dance element of Salut! Baroque's Invitation to Dance concert.
