"Sarah Ruhl’s acclaimed play accomplishes much in just about an hour. Its brevity demands an economy of expression that conveys immense emotional depth." ARNE SJOSTEDT reviews Eurydice, at the Mill Theatre.
Review
Visual art reviewer SOPHIA HALLOWAY takes a look at Speculative Materialism: Making for the Future, at Craft and Design Canberra, until December 14.
Reviewer ALANNA MACLEAN says the new Aunty Louise Brown Park outside The Q turns out to be just the space for Echo Theatre’s lively take on A Midsummer Night’s Dream.
ROB KENNEDY reviews soprano Rachel Mink and the Ellery String Quartet's performance of Young Voices of America.
SAM WILSON reviews the Oriana Chorale's performance of Rachmaninoff Vespers: All-Night Vigil.
SARAH BYRNE reviews Canberra Qwire's celebratory performance of The Sound of Us – A Celebration of Community in Song.
"Canberra Rep usually presents a fun and enjoyable end-of-year show. This very funny play and its highly effective production make this one of the most memorable." LEN POWER reviews the comedy Bloody Murder.
MICHELLE POTTER reviews Liz Lea's A Stellar Lineup.
"Ben Rivers is a slowly compelling performer, whether speaking, dancing or breaking into song; focused and skilled." ALANNA MACLEAN reviews The Invaders’ Fear of Memories.
"A visceral response to the opening chords of the lone guitarist spotlit high above the stage, heralded a sense that this production was going to be something special," writes reviewer BILL STEPHENS.
"The ASQ’s flawless performance was astonishing." SARAH BYRNE reviews "another excellent concert" from the Australian String Quartet.
GRAHAM McDONALD reviews Scotland Unbound, a performance by the Australian Chamber Orchestra and Scottish guitarist Sean Shibe.
