SARAH BYRNE reviews Affinities, the final concert for the year in the CSO's Chamber Classics series.
Review
"Referencing much of their 25 years, Jonathan Biggins, Mandy Bishop, Drew Forsythe, Phillip Scott and David Whitney exceeded expectations with this final season." JOE WOODWARD reviews The Wharf Revue – The End of the Wharf As We Know It.
LEN POWER reviews Tempo Theatre's production of Agatha Christie's Love from a Stranger, directed by John Elphick.
"It is complicated and gloriously silly and gets even sillier as the storyline pursues evermore outrageous and unlikely situations demanding all common sense be abandoned." BILL STEPHENS reviews Peter and the Starcatcher at The Playhouse.
"Sometimes his dynamic, energetic music encompassed his entire body and he danced with his guitar around the stage." CASSIDY RICHENS reviews Daniel Champagne's performance at The Street.
"In this first iteration, Only Everything offers much to enjoy as an evening of entertaining and pleasingly performed musical theatre. However, it also feels like a work in progress." writes reviewer BILL STEPHENS.
"This was an interesting concert, combining the four violin concertos of Vivaldi’s Four Seasons with Astor Piazzolla’s The Four Seasons of Buenos Aires, written around 250 years later," writes music reviewer GRAHAM McDONALD.
MICHELLE POTTER reviews the Elemental, the QL2 Dance Chaos Project 2024.
"Romanian-born pianist Alexandra Dariescu's... poise and charm suffused the room even before her fingers touched the keyboard.," writes THAYER PREECE in her first review for CityNews.
Celebrated detective Vera Stanhope has a new case. Book reviewer ANNA CREER says it's "a classic Vera story set against the wild, ancient landscape of Northumbria".
"This once-in-a-lifetime experience was as good as I hoped it could be." ROB KENNEDY reviews Herbie Hancock's Canberra Theatre concert.
SOPHIA HALLOWAY reviews Que será, Serra, an exhibition by Peter Vandermark at Canberra Contemporary Art Space, Manuka, until October 20.
