"Even many of Fred Smith’s devoted fans would not have seen so much of his softer side before." MICHAEL WILSON reviews Fred Smith's concert, Domestic.
Review
"The musical is given a playful, cartoon-like production, by first-time Queanbeyan Players director Tijana Kovac." BILL STEPHENS reviews Bubble Boy.
"Performed on the grass, the actors at once had to be larger than life and capable of using their physicality and very clear diction to advance the story." JOE WOODWARD reviews Macbeth at The Q.
The writers of Titanique have played fast and loose with facts for this cleverly conceived concoction that tells the probably untrue story of what really happened on the Titanic before it hit the iceberg. BILL STEPHENS reviews Titanique.
CON BOEKEL reviews the work of Cailyn Forrest in VIEW2025, from which PhotoAccess launches its exhibition year.
"I don’t think I’ve ever sat amongst an audience so spellbound and focused, nor left a concert hall with such a profound feeling of relaxation." SARAH BYRNE reviews Musica Viva's The Cage Project.
LEN POWER reviews Salut! Baroque's first concert for this, its 30th year.
MEREDITH HINCHLIFFE reviews Endless Horizons: The Art of Hiroe Swen at the Canberra Potters Gallery.
ALANNA MACLEAN reviews Mojo, Jez Butterworth’s 1995 play set in the sleazy shallows of the 1950s British music scene.
Book reviewer ANNA CREER shares her novel of the year plus four others that stand out from the pack.
Book reviewer COLIN STEELE wraps up a year of wide reading to settle on five of his favourites.
Reviewer CON BOEKEL is intrigued by elements of the human condition on display at the PhotoAccess Concept to Publication exhibition.
