"An infectious energy flowed about the stage like a superbly choreographed children’s theme party." ARNE SJOSTEDT reviews Peter/Wendy.
Review
"The movement began with arms and hands twisting and turning around and across each other. It was small but complex movement done with arms and hands remaining close to the body but never touching." MICHELLE POTTER reviews Superposition.
KERRY-ANNE COUSINS reviews the exhibition Rendezvous: Notes from the Botanic Gardens.
Book reviewer ANNA CREER slips back in time to review two books of historical fiction that focus on two women overshadowed in history by powerful men.
KERRY-ANNE COUSINS reviews Creek Works, an exhibition by Jo Hollier.
SARAH BYRNE reviews Tea for Two, a performance by soprano Lorina Gore and tenor Andrew Goodwin, accompanied by pianist Anthony Smith.
ALANNA MACLEAN reviews Best of All Possible Worlds,a performance by the National Opera Chorus.
"Polished direction, some cheeky choreography, and the hint of a happy ending, ensured the audience left thoroughly charmed and entertained by a show that is a masterclass of its genre." BILL STEPHENS reviews The Grandparents Club 2.
IAN McLEAN reviews Baroque Treasures, a performance by Musica Da Camera Canberra.
Tuggeranong Arts Centre’s music program includes a series called CSO Down South, the Canberra Symphony Orchestra’s bite-sized and scaled-down concerts for that equally bite-sized and scaled-down venue, writes reviewer SARAH BYRNE.
SOPHIA HALLOWAY reviews Metal, a solo show by Asian-Australian artist Kien Situ.
ALANNA MACLEAN reviews Bell Shakespeare’s Romeo and Juliet: "It has an intense Juliet in Madeline Li and a Romeo with feeling in Ryan Hodson and they make a convincing couple."
