"It was a pleasure to listen to singing that was so seemingly effortless, unforced and cleanly articulated – yet always tightly in the groove." NICK HORN reviews Lyhra.
ALANNA MACLEAN reviews Nancy Denis' M’ap Boule, "part singing, part narrative, with a fair amount of great costuming, a set that can become very atmospheric and a little audience participation."
"After decades of involvement in dance-related activities – performing, choreographing, teaching, writing – Marrow was one of the most difficult productions to understand and enjoy I have come across," says dance reviewer MICHELLE POTTER.
"It starts off like a piece of theatre, but soon becomes a kind of drama workshop where the audience is encouraged to comment and participate." ALANNA MACLEAN reviews Stages of Empathy, a production by Rebus Theatre.
"This exhibition is a reminder that our search for more environmental and sustainable sources of energy will inevitably cause consequences for some of the surrounding communities." MEREDITH HINCHLIFFE reviews Fulcrum, by Aidan Hartshorn.
"Bangarra's Illume is a visually striking work, with impressive set design, an intriguing video installation and a stark depiction of glaring lights of modern design and the beauty of the natural world," writes reviewer SAMARA PURNELL.
"Christie’s play provides suspense and humour as this early 1950s plot unfolds. Much of the humour comes from the eccentricities of the characters involved." LEN POWER reviews Agatha Christie's Spider’s Web, a production by Canberra Rep.
"The group is almost as fascinating to watch as it is glorious to hear," SARAH BYRNE reviews the concert by the rising a cappella ensemble from Leipzig, Sjaella.