LEN POWER reviews Romance Sublime! a performance by soprano Lorina Gore and pianist Anthony Smith.
Review
NICK HORN reviews The Devil’s Violin, a performance by the Australian Chamber Orchestra led by guest violinist Ilya Gringolts.
"This piano recital journeyed across five centuries of Spanish music, from transcriptions on Sephardim music to the fiery spirit of modern Spanish composers." ROB KENNEDY reviews a recital by pianist Marcela Fiorillo.
"You know you’re in for something a little out of the ordinary when you’re greeted at the concert venue by the original, giant and creepy AF doll from Squid Games," writes reviewer SARAH BYRNE.
"I’m really not sure what the point of Swan? was and I was relieved when the show finished. Other members of the audience clearly had a great night out," writes dance reviewer MICHELLE POTTER.
"With three violinists and a continuo section of three more players, this ensemble certainly made beautiful music together." LEN POWER reviews 3 On 3, a performance by Apeiron Baroque.
"Apart from being hugely entertaining, Irony Done Here is also a revealing expose of the dedication, hard work, ingenuity and talent required to maintain a successful career in entertainment." BILL STEPHENS reviews Shortis & Simpson.
"The Dear Departed's got a housebound humour that is very well caught in this radio drama style presentation under Lexi Sekuless’ deft direction," writes reviewer ALANNA MACLEAN.
Musica da Camera reverted to being entirely a string orchestra for this first concert of the year under the direction of German violinist Daniel Röhn, writes reviewer GRAHAM McDONALD.
COLIN STEELE reviews two new books by Australian authors that take their inspiration from dark themes.
"So beautiful, it felt like something you want to see a second or third time, just to be sure you didn’t miss anything." Critic ARNE SJOSTEDT's been to see Almost, Maine.
SAM WILSON reviews a performance by the Canberra Symphony Orchestra and cellist James Morley.
