Jane Harper is credited with creating a new sub-genre of crime fiction, Australian rural noir, writes book reviewer ANNA CREER.
Review
"The play God takes on an intriguing courtroom form as it pulls the audience into considering the ethics of assisted dying," writes reviewer ALANNA MACLEAN.
BRIAN ROPE reviews unBECOMING, a photographic exhibition by Fernanda Pedroso.
"Here You Come Again is a must-see for Dolly Parton fans, as well as those seeking an evening of memorable musical theatre," writes reviewer BILL STEPHENS.
LEN POWER reviews the Phoenix Collective Quartet's concert entitled At the Grave of Beethoven.
"Under Leisa Keen’s direction I have no doubt this group will continue to improve and flourish," writes SARAH BYRNE in her review of Opus Two – The Vocal Group.
MEREDITH HINCHLIFFE reviews The Poetry of Things, an exhibition by glass artists Annette Blair & Kirstie Rea.
GRAHAM McDONALD reviews Polar Night & Midnight Sun, a performance by Hardanger fiddle player Benedicte Maurseth.
"There was little, if anything, which could be criticised in this concert. It was sung beautifully with exemplary pitch and phrasing," writes reviewer GRAHAM McDONALD.
MEREDITH HINCHLIFFE reviews Skin Deep, an exhibition by glass artist. Gabriella Bisetto.
"An incredible evening of music and artistic performance that was clearly enjoyed by its enthusiastic audience." THAYER PREECE reviews the Australian Chamber Orchestra's 50th anniversary performance of Cocteau's Circle.
"This play doesn’t give you much chance to settle in and feel comfortable. It tackles the desperate ingenuity of ordinary people facing rising prices and economic injustice." ARNE SJOSTEDT reviews Low Pay? Don’t Pay!
