There may be plenty of jokes about the “double Dutch” brothers, but there is nothing remotely funny about the extraordinary musical talents of Lucas and Arthur Jussen, one of the world’s leading piano duos, writes arts editor HELEN MUSA.
Helen Musa
“CityNews” arts editor
Here's arts editor HELEN MUSA with her latest Artsweek column.
When actor Lainie Hart first read Joanna Murray-Smith's Bombshells around the dinner table at director Jordan Best's home, she found herself unexpectedly moved, reports HELEN MUSA.
Patrons of Canberra’s literary organisation MARION have launched a strong protest over a cut to the organisation’s funding, despite the ACT Government’s recent boast of a 25 per cent boost to arts funding.
Hussein Abdirahman Mohamud has won the Art Handlers’ Award at the 2026 National Photographic Portrait Prize for his work UNTITLED: 01, 2025, from the series What remains?
Thousands of post-war migrants passed through the Bonegilla migrant camp near Albury-Wodonga. So Bonegilla – The Migrant’s Journey is likely to strike a particularly resonant chord with ACT audiences, writes HELEN MUSA.
The Australian Theatre for Young People is bringing its production of Saplings to The Q, Queanbeyan, a work which has been described as authentic, raw, brutal and deeply moving, reports HELEN MUSA.
The National Film and Sound Archive of Australia has partnered with YouTube to recognise 10 of Australia’s most influential creators on the platform, it was announced at Parliament House in Canberra on Monday.
A sold out Friday evening performance of the show 1966 and All That has prompted organizers to open a second performance on Sunday, September 6, writes arts editor HELEN MUSA.
To be held at the ANU School of Music from March 23 to 25 next year, the three-day school National Folk Festival will return to Canberra, bringing six international musicians and dancers, writes arts editor HELEN MUSA.
Here is arts editor HELEN MUSA's latest Arts in the City column.
Musical adaptation Heathers satirises 1980s high-school films with an uneasy blend of comedy and cruelty that makes for disturbing viewing, reviews BILL STEPHENS.
