Intimate exhibitions portray connection across generations
BRIAN ROPE reviews two complementary, but different photo exhibitions.
Reviews
MICHELLE POTTER reviews the Emerging Choreographers Program 2025 by Quantum Leap Australia.
LEN POWER reviews A Handel Celebration, a performance by the Canberra Choral Society.
"A most satisfied audience ventured home with the real spirit of Christmas firmly in their hearts and minds." IAN McLEAN reviews the 2025 Luminous Christmas concert.
Reviews
What’s with Christmas when it comes to murder mysteries?
Why are there so many murder mysteries set at Christmas, asks book reviewer COLIN STEELE.
Reviews
Emotive After the Rain comes with hope and renewal
KERRY-ANNE COUSINS reviews the 5th National Indigenous Art Triennial: After the Rain.
Reviews
Artists using glass in unusual ways
MEREDITH HINCHLIFFE reviews Bridges, a glass exhibition.
MEREDITH HINCHLIFFE reviews the 2025 Craft + Design Canberra Annual Members Exhibition.
GRAHAM McDONALD reviews Colours of Earth, a performance by The Oriana Chorale.
Jane Harper is credited with creating a new sub-genre of crime fiction, Australian rural noir, writes book reviewer ANNA CREER.
"The play God takes on an intriguing courtroom form as it pulls the audience into considering the ethics of assisted dying," writes reviewer ALANNA MACLEAN.
BRIAN ROPE reviews unBECOMING, a photographic exhibition by Fernanda Pedroso.
"Here You Come Again is a must-see for Dolly Parton fans, as well as those seeking an evening of memorable musical theatre," writes reviewer BILL STEPHENS.
LEN POWER reviews the Phoenix Collective Quartet's concert entitled At the Grave of Beethoven.
"Under Leisa Keen’s direction I have no doubt this group will continue to improve and flourish," writes SARAH BYRNE in her review of Opus Two – The Vocal Group.
MEREDITH HINCHLIFFE reviews The Poetry of Things, an exhibition by glass artists Annette Blair & Kirstie Rea.
GRAHAM McDONALD reviews Polar Night & Midnight Sun, a performance by Hardanger fiddle player Benedicte Maurseth.
Airbrushing and exhortations: Ita Buttrose reflects on her life in media – well, some of it, writes DENIS MULLER.
"There was little, if anything, which could be criticised in this concert. It was sung beautifully with exemplary pitch and phrasing," writes reviewer GRAHAM McDONALD.
