All aboard for a physiological stage thriller
Mockingbird Theatre Company's production of the thriller The Girl on the Train threatens to throw audiences right into the centre of the action, reeports arts editor HELEN MUSA.
Arts & Entertainment
Canberra’s best coverage of local arts news plus reviews, including dining, film, theatre, music, visual arts and dance
Here's arts editor HELEN MUSA's latest Arts in the City column.
The Australian Academy of the Humanities has awarded curator of the ANU's Classics Museum, Georgia Pike-Rowney, a Humanities Travelling Fellowship for her work on the identification and repatriation of stolen and looted ancient antiquities.
The Pitt leads the Emmy Award pack with 25 nominations including for best drama series, and for good reason, says streaming columnist NICK OVERALL.
Theatre
Tuning into a joyful Wind in the Willows
"Because it’s devised as a radio broadcast, the actors’ voices are the most important aspect of their performances." LEN POWER reviews The Wind In The Willows, adapted as a live radio play.
Reviews
Powerful production subverted by poor lighting
"This Tennessee Williams play about a simple moment that might be in anyone’s memory delved deeply into complex relationships that, with a little imagination, might well still be relevant today," writes JOE WOODWARD.
Dance
Determined dancing on a knife’s edge
Mettle was an hour of almost continuous movement from every dancer. They attacked the choreography, with its spectacular twists and turns, with determination and skill," writes reviewer MICHELLE POTTER.
"The varied program made for a thoroughly enjoyable evening of finely played music for classical guitar." NICK HORN reviews a solo performance by Rupert Boyd.
A fascinating pilot program unfolded at The Street Theatre on Wednesday night, using interactive theatre to probe one of the most contentious issues facing young people: online misogyny and the influence of the manosphere.
Canberra glass artist Akie Haga has won the 2026 People's Choice Award in the Waterhouse Natural Science Art Prize, with visitors at the South Australian Museum voting overwhelmingly for her luminous glass sculpture, Soft Echo.
Canberra Theatre Centre has joined forces with three of Australia's leading regional performing arts organisations in a landmark partnership designed to create more large scale Australian theatre.
Leading her latest column of new books, ANNA CREER reviews a biography of Alexander the Great, a man its author says, "spent his whole life unsure of who he really was”.
An upcoming documentary on Julie Andrews will explore the resilience, heartbreak and reinvention behind the screen legend's meteoric rise.
Journalist Neil Lade has spent decades telling other people's stories, but arts editor HELEN MUSA discovers his lifelong passion has always been painting, drawing and creating surreal worlds of his own.
Hollywood star Rebel Wilson has scored a major victory after the star of her directorial debut accused her of defamation.
At the age of 36, Creswick feels he is facing middle age and, just as he did with his fatherhood show, he's been out interviewing people, this time a carefully selected group of senior artists, reports arts editor HELEN MUSA.
Here's arts editor HELEN MUSA with her latest Artsweek column, featuring fundraisers and film festivals.
One of the world's most celebrated chamber ensembles, the Sitkovetsky Trio, will make its Canberra debut at Snow Concert Hall on August 2, writes arts editor HELEN MUSA.
What began as Henry Lawson's tale of an unnamed bushwoman defending her children from danger has become a play, a novel, a film and now, an opera, reports arts editor HELEN MUSA.
