"The truly outstanding feature of Silence & Rapture was the theatricality that permeated the evening, especially in the use of the stage space," writes reviewer MICHELLE POTTER.
Review
"It was clear from the first few notes that this duo were frontline, high-quality performers. Their authority and presence was strong and clear," writes reviewer ROB KENNEDY.
"I was struck by how adventurous and unconventional the program was and perhaps it was even veering on the edge of too much for some who left before the concert was over," writes reviewer DANTE COSTA.
"Awash with song and dance, in a room full of some of Monroe’s cinema highlights, Sekuless kept the pace rolling, and invited the audience into Monroe’s world," writes reviewer ARNE SJOSTEDT.
BILL STEPHENS reviews Sister Act, the musical based on the popular 1992 film of the same name.
"In a meditation of sound and thoughts through action, Omar Musa stood tall while almost singing in a performance that crossed dynamism and subtlety." ROB KENNEDY reviews The Offering.
Reviewer COLIN STEELE looks at three Australian science fiction (or speculative fiction) books that provide future scenarios reflecting fears of the impact of artificial intelligence, climate change and the growing power of China.
LEN POWER reviews the Canberra Symphony Orchestra's salute to the 200th anniversary of Beethoven’s 9th Symphony.
GRAHAM McDONALD reviews the Fyshwick performance of the Alpenrose Trio.
KERRY-ANNE COUSINS reviews the 2024 Waterhouse Natural Science Art Prize, now showing at the National Archives.
LEN POWER reviews Magnificat a joint performance by Luminescence Chamber Singers and Children’s Choir with Apeiron Baroque.
SAMARA PURNELL reviews Manage Your Expectations, a performance of physical theatre by Eliza Sanders.
