"It was clear that Apeiron founders John Ma, on violins, and Maria Searles, harpsichord, were having immense fun with this music." MICHAEL WILSON reviews Little Sounds Great Noises, a performance by Apeiron Baroque.
Review
"If this is what Musica da Camera can do with a reduced ensemble, they should be truly impressive when at full strength," writes music reviewer SARAH BYRNE.
BILL STEPHENS reviews 9 to 5: The Musical.
"After 13 years, the Australian Haydn Ensemble is still pushing at the boundaries and opening our ears to new and surprising sounds," writes reviewer NICK HORN.
MEREDITH HINCHLIFFE reviews Beautiful Tensions: Gray Street Workshop celebrates 40 years.
GRAHAM MCDONALD reviews Rhythm and Rites, a performance by four "very fine" percussionists from the Canberra Symphony Orchestra.
"Cassandra Dove’s latest exhibition, called Behind the View, is inspired by landscape, in particular the landscape around Canberra and the surrounding region," writes reviewer KERRY-ANNE COUSINS.
MICHELLE POTTER reviews ECDysis, a dance performance by Elizabeth Cameron Dalman and friends.
SAMARA PURNELL reviews Main Character Energy, The Chaos Project, a dance performance by QL2.
"For two deeply intense and enjoyable hours Salut! Baroque took a full audience at Wesley Uniting Church on a thoroughly absorbing trip through the nuances and byways of baroque music," writes reviewer ALANNA MACLEAN.
Ian McEwan and John Banville are two of the leading contemporary British writers, but their latest books are not their best, says reviewer COLIN STEELE.
"Not every spin and jump is landed in total control, but the dancers are going at 110 per cent every time which is spectacular for the audience." SAMARA PURNELL reviews Dracula.
