ROB KENNEDY reviews a performance of Hope in Terror by emerging young cellist Zachary Connor and pianist Edward Neeman.
Review
KERRY-ANNE COUSINS reviews Tanya Myshkin's exhibtion, Wood Engravings and Drypoints, showing at Megalo Print Studios.
LEN POWER reviews Travel and Change, a concert by Apeiron Baroque with bursts of philosophy from Drew Ninnis.
"A Midsummer Night’s Dream has darker influences than might not be apparent in the surface plot; making it a serious work within its fantasy and farcical situations." Reviewer JOE WOODWARD's been to see Bell Shakespeare's new show.
"Highway of Lost Hearts is a surprisingly uplifting play given a thoughtful production guaranteed to warm the hearts of those lucky enough to experience it," writes reviewer BILL STEPHENS.
"It’s a killer of an idea. A fighter pilot is on trial for taking down a plane of hijacked passengers, and the audience gets to sit as his jury," writes theatre reviewer ARNE SJOSTEDT.
GRAHAM McDONALD reviews a concert by David Yardley, a performer of medieval troubadour songs.
SARAH BYRNE reviews a sparkling concert based on a 16th century English soiree, where madrigals are played for the entertainment of the guests.
LEN POWER reviews a moving concert performance by Christopher Latham and Edward Neeman.
ANNA CREER reviews the latest thriller from UK author Tim Sullivan, a successful British screenwriter and director of film and television, as well as a best-selling crime writer.
BRIAN ROPE reviews All My Memories Are Mistranslations, an exhibition by Bornean-Australian artist Omar Musa.
KERRY-ANNE COUSINS reviews Tree Songs, an exhibition by artist Julian Laffan.
