MEREDITH HINCHLIFFE reviews the 2025 Craft + Design Canberra Annual Members Exhibition.
Review
GRAHAM McDONALD reviews Colours of Earth, a performance by The Oriana Chorale.
Jane Harper is credited with creating a new sub-genre of crime fiction, Australian rural noir, writes book reviewer ANNA CREER.
"The play God takes on an intriguing courtroom form as it pulls the audience into considering the ethics of assisted dying," writes reviewer ALANNA MACLEAN.
BRIAN ROPE reviews unBECOMING, a photographic exhibition by Fernanda Pedroso.
"Here You Come Again is a must-see for Dolly Parton fans, as well as those seeking an evening of memorable musical theatre," writes reviewer BILL STEPHENS.
LEN POWER reviews the Phoenix Collective Quartet's concert entitled At the Grave of Beethoven.
"Under Leisa Keen’s direction I have no doubt this group will continue to improve and flourish," writes SARAH BYRNE in her review of Opus Two – The Vocal Group.
MEREDITH HINCHLIFFE reviews The Poetry of Things, an exhibition by glass artists Annette Blair & Kirstie Rea.
GRAHAM McDONALD reviews Polar Night & Midnight Sun, a performance by Hardanger fiddle player Benedicte Maurseth.
"There was little, if anything, which could be criticised in this concert. It was sung beautifully with exemplary pitch and phrasing," writes reviewer GRAHAM McDONALD.
MEREDITH HINCHLIFFE reviews Skin Deep, an exhibition by glass artist. Gabriella Bisetto.
