BRIAN ROPE reviews Stilleven, an exhibition of works by glass artist Rose-Mary Faulkner.
Review
Reviewer ANNA CREER continues her life of crime fiction with two cracking novels, one set in Ireland and the other in India.
SARAH BYRNE. reviews Theremin and Beyond, a performance by the Australian Chamber Orchestra with German musician Carolina Eyck playing a theremin.
CON BOEKEL reviews Our Story: Aboriginal-Chinese People in Australia, showing at the National Gallery until January 27.
"In a tribute to the spirit and strength of our rivers, Canberra choir, The Resonants, performed a program of songs that captured the story of our rivers," writes music reviewer LEN POWER.
"This inventive programming was a triumph for Robyn Mellor. It was light hearted, happy and fun, but the performance standard never deviated from being seriously excellent," writes music reviewer IAN McLEAN.
"The play is a subtle lesson in the power of words and how they can silence certain sectors of society, particularly women." LEN POWER reviews The Dictionary of Lost Words at The Playhouse.
"Kristian Winther enters first with a stirring solo statement." NICK HORN reviews a musical performance, This Mirror Has Three Faces, that has the Canberra violinist sharing the stage with Selby and Friends.
SARAH BYRNE reviews Beethoven’s Violin, a performance by the Canberra Symphony Orchestra with soloist Anna da Silva Chen.
LEN POWER reviews the play If We Got Some More Cocaine I Could Show You How I Love You.
"In the hands of four master musicians, nothing seemed impossible, and the ensemble was consistently tight, energised and meticulous." MICHAEL WILSON reviews Rapture, a performance by the Australian String Quartet.
"Attending a live organ recital is the best way to appreciate the power of this instrument and the music written for it." LEN POWER reviews Samuel Giddy's recital marking the centenary of the organ at Canberra City Uniting Church.
