BILL STEPHENS reviews Fourteen, which tells the true story of a year of self-discovery for an effeminate year 9 student attending an all-boys school in the quiet Queensland beach community of Yeppoon.
"The bride and groom are never seen, but behind the scenes it’s the bridesmaids who argue over relationships and attitudes." ALANNA MACLEAN reviews Five Women Wearing the Same Dress.
"Ashley Hribar’s accompaniment was extraordinary. He improvised as the film played, giving an original response with his accompaniment that was edgy, musical and always totally appropriate," writes reviewer LEN POWER.
Reviewer DANTE COSTA has a niggle about the final half of the Six Brandenburg Concertos. "I am not entirely convinced that this was the best venue to showcase the beauty and technicality of this ensemble’s masterful performance."
This was a production of great credit to the Bach Akademie Australia and to the festival. Events such as these can often be the only opportunity to present such work in this way," writes reviewer GRAHAM McDONALD.
Reviewer ROB KENNEDY savours an hour of music and conversation at the keyboard between Tamara-Anna Cislowska and composer Larry Sitsky. "His legacy is still a work in progress, but his influence is cemented throughout Australia," he writes.
"The trio’s performance captured the elegant simplicity of the Australian bush and the composer's wish to evoke the harmonious ways in which traditional owners inhabit the land," writes reviewer CASSIDY RICHENS.
"It’s certainly a play for those who enjoy shows about theatre behind the scenes," writes ALANNA MACLEAN in her review of The Actress, playing at the Rep Theatre until May 18.
DANTE COSTA reviews an an illuminating program encompassing a rich history of music by two prolific composers hailing from opposite sides of the globe: none other than Luigi Nono and Canberra’s very own Larry Sitsky.