"The energy in the Overture Hall was electric as the program began with works from Judith Clingan, but also from composers such as Liam Waterford and Stephen Leek." ALANNA MACLEAN reviews Vox Humana.
Review
"Rupert Boyd is a very fine guitarist and in 90 minutes of music in the crowded loungeroom-like ambience of Smiths Alternative entertained and charmed his audience," says reviewer GRAHAM McDONALD.
LEN POWER reviews The Entrepreneur, Salut! Baroque's musical salute to German composer Georg Philipp Telemann.
"This touring production of Puccini’s most famous opera made simplicity its greatest strength." MICHAEL WILSON reviews Opera Australia's production of La Bohème at Canberra Theatre.
ANNA CREER reviews two crime fiction stories from the popular sub-genre of police procedural novels.
"His musical language is something that few gain the knowledge to do. We all try, but Grabowsky succeeds." ROB KENNEDY reviews pianist Paul Grabowsky at The Jazz Haus Canberra.
"This show is an epic and gorgeous tribute to the great Warumpi Band, but it is also a salutary history lesson." ALANNA MACLEAN reviews Big Name, No Blankets.
"How do you present a photographer’s career which began in 1959 and has continued ever since?" BRIAN ROPE fondly reviews a new book based on the images of remarkable photographer Heide Smith.
MICHAEL WILSON reviews Something Old, Something New, a performance by Apeiron Baroque.
"Queanbeyan Players' celebratory production of The Pirates of Penzance, offers an unmissable opportunity to discover why this show continues to entertain and delight almost 150 years since its creation," says reviewer BILL STEPHENS.
ALANNA MACLEAN reviews Divine Darkness, a performance by modern music group Ensemble Offspring.
Reviewer COLIN STEELE brings together three very different books with a theme around eating – the history, the famous and the necessary.
