"Christie’s play provides suspense and humour as this early 1950s plot unfolds. Much of the humour comes from the eccentricities of the characters involved." LEN POWER reviews Agatha Christie's Spider’s Web, a production by Canberra Rep.
Review
ALANNA MACLEAN reviews 21 Hearts: Vivian Bullwinkel and The Nurses of the Vyner Brooke.
SAMARA PURNELL reviews ECHO (Every Cold-Hearted Oxygen).
"The group is almost as fascinating to watch as it is glorious to hear," SARAH BYRNE reviews the concert by the rising a cappella ensemble from Leipzig, Sjaella.
"Julius Caesar is a demanding work to stage — sprawling, rhetorical, and complex in tone," writes theatre reviewer ARNE SJOSTEDT.
BRIAN ROPE reviews photographer Hilary Wardhaugh's exhibition You Cannot Trust an Open Sky.
In Backbone, the connecting thread is a distinct sense of melancholy that one can’t help but attribute to the predicament that the School of Art & Design (and the ANU at large) finds itself in," writes art reviewer SOPHIA HALLOWAY.
"While the production illustrated the insane world of Enron, perhaps we, as audience members, might well be challenged as accomplices within this playground of big capital!" JOE WOODWARD reviews Enron.
"There is an introduction label as you enter but again had very little information on the complexities of this great Australian poet and artist." BARRINA SOUTH reviews an exhibition of the work of Kevin Gilbert.
BILL STEPHENS reviews Opera Australia's production of Carmen.
CON BOEKEL reviews an exhibition titled Opgelicht, by Canberra photographer Wouter Van der Voorde.
CASSIDY BUXTON reviews Journey Through the Land of Shadows 20th anniversary by Mikelangelo and the Black Sea Gentlemen.
