CON BOEKEL reviews photographic doyen Brian Rope's first solo exhibition.
Review
JOE WOODWARD reviews Dostoyevsky’s Crime and Punishment at The Street Theatre.
CASSIDY RICHENS reviews a concert by Castlemaine singer-songwriter Eliza Hull and her three-piece band.
"Creating a symbiosis of movement, space and time and timelessness in endless space, this beautiful production leaves a lasting impression." SAMARA PURNELL reviews the Sydney Dance Company's performance of Momenta.
SARAH BYRNE reviews Let My Love Be Heard, a performance by VOCES8 with Jack Liebeck at Snow Concert Hall.
"Erin Helyard, conducted with an obvious love and passion for Handel’s oratorio and achieved a fine balance between the Canberra Symphony Orchestra, the CSO Chorus and four excellent soloists." IAN McLEAN reviews Friday's performance.
ALANNA MACLEAN reviews The Historian, a performance by Salut! Baroque with Duncan Driver.
"It’s the totally invested performances by the large cast that set this production apart." BILL STEPHENS reviews American Idiot.
"Tennessee Williams is not for the faint of heart," writes ALANNA MACLEAN in her review of A Streetcar Named Desire.
ROB KENNEDY reviews Xanadu Sky, performed by Ensemble Offspring, at The Street Theatre.
"As a reviewer, I approach group or competition exhibitions with a mixture of hope and dread." CON BOEKEL reviews the Canberra Contemporary Photographic Prize 2024 exhibition.
BILL STEPHENS reviews Watershed: The Death of Doctor Duncan: "It will probably be the most important and talked about production staged by Opera Australia this year."
