"Horizon is an admirable undertaking and, as is usual with Bangarra productions, the collaborative elements were exceptional," writes reviewer MICHELLE POTTER.
Review
In the sure hands of director Jordan Best and a top six-woman cast Joanna Murray-Smith’s Bombshells has a terrific impact, writes reviewer ALANNA MACLEAN.
BILL STEPHENS reviews The Grandparents Club, an all-Australian musical revue and entertaining celebration of the world of grandparenthood.
LEN POWER reviews the Winter Recital by Wesley Music Scholars.
LEN POWER reviews Coro's performance of Requiem at Wesley Uniting Church on Sunday.
"Can a piece of music be considered a valuable treasure? The question was answered in Selby & Friends' latest concert, Jewels in the Crown," writes reviewer ROB KENNEDY.
"Attracted by the promise that Gray would sing every song from the On How Life Is album, the audience seemed to know every lyric of every song, whenever invited to sing along, which was often." BILL STEPHENS reviews the Macy Gray concert.
In the international art world, Gauguin is a box-office hit. How do galleries balance Gauguin commercial success with heightened public sensitivity to issues of gender, race and colonial appropriation, asks book reviewer COLIN STEELE.
"Frightening, imaginative and enjoyable at the same time." LEN POWER reviews the creepy play The Woman in Black.
"For anyone open to a challenging new approach to a favourite opera, Edward Dick’s imaginative staging should not be missed." BILL STEPHENS reviews Opera Australia's production of Tosca.
BILL STEPHENS reviews Opera Australia's production of Puccini’s Il Trittico.
ROB KENNEDY has mixed feelings in his review of the Darling Portrait Prize exhibition showing at the National Portrait Gallery.
